Description: Luciano Pavarotti is the most popular and well-known classical artist he is one of the artists who is truly known as a household name. This recording features duets with the biggest names in pop music. This is the first time these tracks have been brought together in one release.
Description: Britain's Got Talent winner Paul Potts has spent most of his life feeling 'insignificant'. Bullied at school for being 'different', he realized growing up that he had one true friend and that was his voice. Singing was his escape. He was able to lose himself in his own little world - the vicious words of his tormentors replaced by hauntingly beautiful lyrics and melodies that lifted his heart and spirit. It was a love, a passion, a lifeline that would follow Paul into adulthood and help him through many more periods of adversity.
Though it's fair to say that when Paul strolled awkwardly - almost apologetically - onto the Cardiff stage for his first Britain’s Got Talent audition a week before that final, in his now infamous £35 Tesco suit, and announced to Simon and fellow judges Amanda Holden and Piers Morgan that he was going to sing opera, they never thought for one minute they were looking at their winner. Until he opened his mouth and started to sing.
Description: This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. --Robert Levine
Description: Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin
Description: This CD is a compilation of (mainly) devotional music sung by Pavarotti when he was in or near his prime, most going back, gloriously, to 1976. Precisely what Orfeo's lament (from the Gluck opera) is doing in a recital called "O Holy Night" is beyond me, but the rest of the selections are well chosen. The title song is gorgeously enough performed to be worth the album's asking price, the tenor's voice ringing out with great clarity and beauty, and the selection from Rossini's Stabat Mater is even more thrilling, with its ascent to high D flat near its close. Verdi's "Ingemisco," from his Requiem, is handsomely and sensitively delivered, and the others elections, with or without choir, are simply stunning. A CD for Christmas and the rest of the year as well. --Robert Levine
Description: When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May
Description: Here's a feast of great tenor singing. It's also a feast of thrills--one selection after another offers Pavarotti's remarkable, full-throated excitement in the music, whether the infectious spirit of his renditions of Neapolitan songs or the trumpet-like High C's he effortlessly tears off in the extended scene from Donizetti's La fille du regiment. Apparent throughout is Pavarotti's big-hearted emotional generosity that infuses this superb collection with an immediacy and communicative power that's impossible to resist. Of course, "Nessun dorma!" is here to lead off the set with the tenor's biggest hit, but his other Puccini arias are, if anything, even more compelling. Verdi is represented by such well-loved Pavarotti favorites as "La donna è mobile" and "Questa o quella" from Rigoletto. He's as compelling in the "Ingemisco" from Verdi's Requiem, the voice blooming in the "Inter oves" section and then fined down to a gorgeous pianissimo. But there's not a single weak track on these discs, whose attractions are enhanced by full texts and translations. --Dan Davis
