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  Icarus at the Edge of Time

 
Icarus at the Edge of Time under The Books Store
Price: $19.95
Sale: $12.23
 
Manufacturer: Knopf
Number of Items: 1
 
 
Binding: Board book
Author: Brian Greene
Publisher: Knopf
Edition: 1 Brdbk
Dewey Decimal Number: 813.6
Publication Date: 2008-09-02
Reading Level: 34
 
Description:

Product Description
From one of America's leading physicists--a moving and visually stunning futuristic re-imagining of the Icarus fable written for kids and those journeying with them toward a deeper appreciation of the cosmos.

With a minimum of words set on 34 full color boardbook pages, Icarus travels not to the sun, but to a black hole, and in so doing poignantly dramatizes one of Einstein's greatest insights.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

An Interview with Author Brian Greene

Q: After writing two big four-hundred-plus page bestselling books, what made you decide to write an illustrated book for all ages?
A: There's an emotional side to science which the general public rarely experiences. When Einstein's calculations in 1916 showed that his new general theory of relativity could explain strange aspects of the planet Mercury's motion, he experienced--by his own description--heart palpitations. He'd revealed a fundamental cosmic truth and it filled him with awe and reverie. Yet, by contrast, in the public sphere science is still largely viewed as merely a cold body of knowledge. To many people, science is aloof, distant, abstract. I remember, some years back, reading a poem of Whitman’s about an astronomy student who grows tired and frustrated by his professor's teachings, and blissfully leaves the class to go outside, look skyward, and simply experience the wonderment of the star filled heavens. There are many for whom this poem would resonate. This highlights for me the need for people to connect with science in a new way--outside of the classroom and beyond the textbooks. My two previous books tried to make some heady ideas of modern physics widely available, and they did this through straightforward exposition. In Icarus At The Edge Of Time, my intention is to open a different kind of avenue onto science--a more visceral, more emotional side that a fictional narrative more readily accesses.

Q: Where did the idea to re-imagine the Icarus legend (set in outer space and involving black holes!) come from?
A: I recently told my two and a half year old son a bedtime story that involved space travelers moving near the speed of light. Within days he was telling his own animated stories of dinosaurs and monsters outrunning a new and wonderful concept--"the speed of dark." Which got me thinking. Storytelling is our most basic and powerful means of communication. We listen with a different kind of intensity--and open ourselves most fully--to a gripping tale. So why not allow some of science’s greatest wonders to be experienced not through pedagogy but through the force of narrative? Science in fiction, as opposed to science fiction. Scientific insights that are absorbed rather than studied. Icarus At The Edge Of Time is my first attempt to explore this terrain. Instead of a journey near the sun--a "light" star--Icarus heads to a black hole--a "dark" star. And then the wonders of Einstein's relativity kick in, warping the more familiar ending into a painful conclusion, to be sure, but perhaps one that's more hopeful than the original.

Q: The story of Icarus is a cautionary tale, what do you think it has to say when applied (as it is here) to the nature of scientific exploration of the universe?
A: Great scientists are great adventurers, boldly exploring unknown terrain--"anxiously searching" as Einstein once put it "for a truth one feels but cannot find, until final emergence into the light." Icarus's fearlessness fits this profile to a "T". But there's another side to scientific exploration. Scientific research has the capacity to reveal realms that turn the status quo on its head. And when this happens, we're often not prepared--as a society we're often not sufficiently mature--to take on the responsibility that such new realms can require.

From nuclear knowledge to stem cells, from global climate change to cloning, science not only opens up new vistas but confronts us with profound challenges. In this new version of the Icarus tale, Icarus's unrestrained explorations take him, literally, to a startling new realm--one in which the universe as he knew it becomes forever beyond his reach. We can imagine him maturing into his new life and experience, but we also feel the wrenching pain of his being torn from his familiar reality--and from his family--and entering a completely new world--the very process of maturation we collectively navigate as science rewrites the rules of what's possible.

Q: Who do you see as the audience for this book?
A: The intended audience is broad. While I've found that science-enthusiasts get a big kick out of the story (it's not often that general relativity is the lynch pin in a narrative!), I wrote the story with two kinds of imaginary readers looking over my shoulder--adults who don't generally have much contact with science, and kids who love a short adventure story.

Q: Since the writing of your last book you have become a father. How has fatherhood impacted you as a writer?
A: I feel a stronger urge to go beyond a connection with readers that's purely intellectual. The intellectual side is critical of course. But I think you communicate far more effectively if you can engage the reader on multiple levels. I've always felt this way. But I now experience it everyday--all the time--with my son, and also my one-year-old daughter. Fatherhood has heightened my recognition that to communicate you need an emotional link.

Q: Your passion for science and making it come alive for people of all ages is well known--as evidenced through your founding of The World Science Festival and also in a recent New York Times op-ed in which you wrote about "the powerful role science can play in giving life context and meaning," and stated, "It's the birthright of every child, it's a necessity for every adult, to look out on the world . . . and see that the wonder of the cosmos transcends everything that divides us." How do you feel about the way Science is taught in most schools today and what would be the biggest changes you would recommend?
A: We need to get beyond the urge--however important--of merely teaching kids the results of science, the methods of science. We need to communicate the stories of science. If a kid thinks of science as a subject taught in a classroom, we've failed. Kids need to think of science as the greatest of adventure stories as we've sought to understand ourselves and the universe around us. Kids need to recognize that science is a perspective, a way of life--it's something you hold with you long, long after you leave the classroom.

Q: What were some of the books that most inspired your passion for Science?
A: When I was really young, it wasn't actually books that inspired me. It was great teachers. From my dad (a self-educated high-school drop-out) to a couple of public school teachers where I grew up in New York City, I was fortunate to be surrounded by people who knew how to nurture and excite a young mind.

Q: So do you think anyone will ever actually find out what happens at the center of a black hole?
A: Absolutely. But not by jumping in.

Q: Is it a challenge, as a physicist and mathematician to write in a way that everyone understands?
A: It is a challenge, but for me its both a useful and exciting one. I find that translating cutting-edge research into more familiar language forces me to strip away extraneous details and zero in on the core ideas. Often, this helps me to organize my own thoughts and has even suggested research directions. And it's exciting to see ideas that are close to my heart and those of other researchers in the field reach a wider audience. The questions we are tackling are universal, and everyone deserves the right to enjoy the progress we're making.

Q: What are black holes and what do they tell us about the nature of universe?
A: Black holes are regions of space filled with such intense gravity that anything which gets too close, even light, is unable to escape. Although Albert Einstein’s insights led to the idea of black holes, he remained skeptical about their existence. Yet, in the decades since, a wealth of astronomical observations have provided strong evidence that black holes not only exist in the cosmos, they’re commonplace.

Black holes have a profound effect on time: their gravitational force pulls on time itself, slowing its rate of passage ever more as one gets ever nearer a black hole’s edge. Because of this, black holes provide for a specific kind of time travel. Were you to hover near the edge of a black hole, time for you would pass more slowly than for everyone else who remained far away. On returning to Earth you would thus find that hundreds or even thousands of years had elapsed, depending on the size of the black hole and how close you ventured to its edge.

Scientists still haven’t figured out what happens at the very center of a black hole. Einstein’s mathematics breaks down and so provides no insight. Some scientists have suggested that a black hole’s center is where time comes to an end while others have proposed that it’s a portal to another universe. Finding the definitive answer is widely recognized as one of the great remaining challenges in our continuing quest to understand space, time and the cosmos.

Q: How close are we to really understanding the nature of the universe?
A: Sometimes I think the final theory is just around the corner. Sometimes I think such thoughts are naive. The bottom line is I don't know, but what we're learning is so startling, that in a way it doesn't matter. When or if we reach the deepest understanding, it will be a major moment for our species. But until then, making progress at unraveling the cosmos is its own reward.

Q: Where did you get the idea to illustrate this book with photos from the Hubble Space Telescope?
A: That was Chip Kidd's idea. On reading the story he immediately felt that an abstract, as opposed to literal, visual treatment would be most effective. I agreed completely. And was kind of blown away when he came up with this design. It is so simple, but so powerful.

(Photo Credit: Andrea Cross)

Designer Chip Kidd Discusses His Vision for Icarus at the Edge of Time

Q: So Chip, where did the inspiration for this design come from?
A: The genesis, if you will, of the design and art direction of Icarus at the Edge of Time represents (for me), a prime example of design challenges at its purest and most exhilarating. In the spring of 2007, Marty Asher (Brian Greene's editor at Knopf) brought me Brian's manuscript of a fable of a teenage boy-genius (Icarus) who lives on a starship heading back to Earth after a generations-long mission and, against the stern warnings of his scientist father, commandeers a sort of pod-ship to go explore a black hole. When he returns from doing so, he finds that everything he knew has changed, and he learns a devastating lesson.

The story takes place in deep space, and as I was reading it, my mind instantly flashed to those incredible images that have been beamed back from the Hubble telescope. A quick investigation into the Hubble website bore out the fact that a) these images are in the public domain, and b) you can literally download good hi-resolution files of them from the site. Honestly, this discovery made me feel good about paying my taxes for the first time in decades. Anyway, the idea was born to illustrate the text metaphorically rather than literally. Although it is a fantastic tale, Brian grounds it in very real science, so the most appropriate thing was to show actual pictures of space (which happen to be jaw-droppingly gorgeous) as opposed to having someone draw or paint them.

In that sense it became like designing the cover of Jurassic Park all over again--you start with something concrete and real (a diagram of an existing T-Rex skeleton) and apply it to a fictional conceit. So you end up with what just might be outside Icarus's window as he hurtles through space. Added to that is a graphic element that represents the approaching and receding black hole, which is literally that--a small black circle appears smack dab in the center of the second spread and slowly grows as you read the book. Then, when it's so relatively large it threatens to completely consume everything, it slowly starts shrink (as Icarus pulls the pod-craft back away from it), until by the end of the book it disappears and is replaced by the Earth. If you have trouble picturing that, you'll just have to see the book! I thank Brian for the opportunity to work on it, and urge you all to check it out. Learning scientific space-physics was never so beautiful. –CK

(Photo Courtesy of Chip Kidd)

A Look Inside Icarus at the Edge of Time
(Click on Images to Enlarge)



 

  A Short History of Nearly Everything

 
A Short History of Nearly Everything under The Books Store
Price: $16.95
Sale: $9.46
 
Manufacturer: Broadway
Number of Items: 1
 
 
Binding: Paperback
Author: Bill Bryson
Publisher: Broadway
Dewey Decimal Number: 500
Publication Date: 2004-09-14
Reading Level: 560
 
Description: From primordial nothingness to this very moment, A Short History of Nearly Everything reports what happened and how humans figured it out. To accomplish this daunting literary task, Bill Bryson uses hundreds of sources, from popular science books to interviews with luminaries in various fields. His aim is to help people like him, who rejected stale school textbooks and dry explanations, to appreciate how we have used science to understand the smallest particles and the unimaginably vast expanses of space. With his distinctive prose style and wit, Bryson succeeds admirably. Though A Short History clocks in at a daunting 500-plus pages and covers the same material as every science book before it, it reads something like a particularly detailed novel (albeit without a plot). Each longish chapter is devoted to a topic like the age of our planet or how cells work, and these chapters are grouped into larger sections such as "The Size of the Earth" and "Life Itself." Bryson chats with experts like Richard Fortey (author of Life and Trilobite) and these interviews are charming. But it's when Bryson dives into some of science's best and most embarrassing fights--Cope vs. Marsh, Conway Morris vs. Gould--that he finds literary gold. --Therese Littleton

 

  This Is Your Brain on Music: The Science of a Human Obsession

 
This Is Your Brain on Music: The Science of a Human Obsession under The Books Store
Price: $15.00
Sale: $5.89
 
Manufacturer: Plume/Penguin
Number of Items: 1
 
 
Binding: Paperback
Author: Daniel J. Levitin
Publisher: Plume/Penguin
Dewey Decimal Number: 781.11
Publication Date: 2007-08-28
Reading Level: 322
 
Description: In this groundbreaking union of art and science, rocker-turned-neuroscientist Daniel J. Levitin explores the connection between music—its performance, its composition, how we listen to it, why we enjoy it—and the human brain. Drawing on the latest research and on musical examples ranging from Mozart to Duke Ellington to Van Halen, Levitin reveals:
• How composers produce some of the most pleasurable effects of listening to music by exploiting the way our brains make sense of the world
• Why we are so emotionally attached to the music we listened to as teenagers, whether it was Fleetwood Mac, U2, or Dr. Dre
• That practice, rather than talent, is the driving force behind musical expertise
• How those insidious little jingles (called earworms) get stuck in our heads

And, taking on prominent thinkers who argue that music is nothing more than an evolutionary accident, Levitin argues that music is fundamental to our species, perhaps even more so than language. This Is Your Brain on Music is an unprecedented, eye-opening investigation into an obsession at the heart of human nature.

 

  Alcohol Can Be a Gas!: Fueling an Ethanol Revolution for the 21st Century

 
Alcohol Can Be a Gas!: Fueling an Ethanol Revolution for the 21st Century under The Books Store
Price: $47.00
Sale: $29.45
 
Manufacturer: International Institute for Ecological Agriculture
Number of Items: 1
 
 
Binding: Paperback
Author: David Blume
Publisher: International Institute for Ecological Agriculture
Edition: 1
Dewey Decimal Number: 630
Publication Date: 2007-11-01
Reading Level: 640
 
Description: Alcohol Can Be a Gas! is the only comprehensive book ever written on alcohol fuel production and use for home and farm. Until now, it has been very difficult for farmers, contractors, alternative energy aficionados, those concerned about Peak Oil, and small-scale entrepreneurs to obtain good, accurate information on producing alcohol, or on converting vehicles to run on alcohol fuel. And with all the conflicting news stories about ethanol, the public finds it difficult to sort fact from fiction. This text, which has been reviewed by scientists around the world, is the definitive reference work on alcohol fuel.

Alcohol Can Be A Gas! contains 640 8-1/2 by 11 pages, with 514 charts, photos, and illustrations to reinforce the information-dense text. The book is geared for the nonscientific reader, but its 473 endnotes provide the technical foundation behind the accessible prose. A 700-word glossary and a 6300-entry index extend the book's usefulness.

This book is the distilled essence of the most pertinent information ever assembled in one place on alcohol fuel, the technology that can help us finally become producers of almost limitless energy, instead of extractors of finite resources. How we produce our energy from here on out will determine how we govern ourselves and how we relate to nature and the environment; it will also create a sea change in where wealth concentrates. It will determine if the future is ruled by a small number of armed dictatorships backed by military and industrial interests (a cabal author David Blume likes to refer to as MegaOilron or the Oilygarchy), or if energy, and therefore power, is held by a diffusion of democratic entities, based on their ingenuity and ability to gather a portion of their daily solar income.

As Blume writes in the Introduction to Alcohol Can Be a Gas!: "Various prospective publishers argued that putting all of this material into one large volume might scare off readers who just want a recipe book of how to make alcohol. They said, 'All this history and politics is fascinating, but aren't you afraid that including it in your how-to book would scare away some buyers?' 'Put it in a separate publication,' their marketing experts said. But in the final analysis, I decided that this book should be a complete tool kit to revolutionize our transportation energy system, combining a broad, sweeping vision with intricate detail.

"I spent four years working on this book with a small team of researchers. I traveled all over the United States in search of the most up-to-date information. In frozen South Dakota, I talked to Orrie Swayze and his farmer and VFW buddies who are taking on the oil companies, and to alcohol combustion engineer and alcohol aviation expert, Jim Behnken. I went to Decatur, Illinois, to see the largest alcohol plant in the U.S., Archer Daniels Midland's 200-million-gallon-per-year plant. My travels also took me to Brazil to document the world's largest alcohol fuel program.

"It took over 25 years to finally get this book to you. It represents the confidence of almost 30 people who collectively loaned more than $250,000 to see this project through. It's the most comprehensive book ever written about alcohol fuel. Its production has been a massive effort that has depended on the cooperation of hundreds of people who contributed both their knowledge and, more importantly, their experiences."


 

  The Selfish Gene: 30th Anniversary Edition--with a new Introduction by the Author

 
The Selfish Gene: 30th Anniversary Edition--with a new Introduction by the Author under The Books Store
Price: $19.99
Sale: $8.76
 
Manufacturer: Oxford University Press, USA
Number of Items: 1
 
 
Binding: Paperback
Author: Richard Dawkins
Publisher: Oxford University Press, USA
Edition: 3
Dewey Decimal Number: 576.5
Publication Date: 2006-05-25
Reading Level: 384
 
Description: Inheriting the mantle of revolutionary biologist from Darwin, Watson, and Crick, Richard Dawkins forced an enormous change in the way we see ourselves and the world with the publication of The Selfish Gene. Suppose, instead of thinking about organisms using genes to reproduce themselves, as we had since Mendel's work was rediscovered, we turn it around and imagine that "our" genes build and maintain us in order to make more genes. That simple reversal seems to answer many puzzlers which had stumped scientists for years, and we haven't thought of evolution in the same way since.

Why are there miles and miles of "unused" DNA within each of our bodies? Why should a bee give up its own chance to reproduce to help raise her sisters and brothers? With a prophet's clarity, Dawkins told us the answers from the perspective of molecules competing for limited space and resources to produce more of their own kind. Drawing fascinating examples from every field of biology, he paved the way for a serious re-evaluation of evolution. He also introduced the concept of self-reproducing ideas, or memes, which (seemingly) use humans exclusively for their propagation. If we are puppets, he says, at least we can try to understand our strings. --Rob Lightner


 

  Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel

 
Physics of the Impossible: A Scientific Exploration into the World of Phasers, Force Fields, Teleportation, and Time Travel under The Books Store
Price: $26.95
Sale: $15.93
 
Manufacturer: Doubleday
Number of Items: 1
 
 
Binding: Hardcover
Author: Michio Kaku
Publisher: Doubleday
Edition: 1
Dewey Decimal Number: 530
Publication Date: 2008-03-11
Reading Level: 352
 
Description:

A fascinating exploration of the science of the impossible—from death rays and force fields to invisibility cloaks—revealing to what extent such technologies might be achievable decades or millennia into the future.

One hundred years ago, scientists would have said that lasers, televisions, and the atomic bomb were beyond the realm of physical possibility. In Physics of the Impossible, the renowned physicist Michio Kaku explores to what extent the technologies and devices of science fiction that are deemed equally impossible today might well become commonplace in the future.

From teleportation to telekinesis, Kaku uses the world of science fiction to explore the fundamentals—and the limits—of the laws of physics as we know them today. He ranks the impossible technologies by categories—Class I, II, and III, depending on when they might be achieved, within the next century, millennia, or perhaps never. In a compelling and thought-provoking narrative, he explains:
· How the science of optics and electromagnetism may one day enable us to bend light around an object, like a stream flowing around a boulder, making the object invisible to observers “downstream”
· How ramjet rockets, laser sails, antimatter engines, and nanorockets may one day take us to the nearby stars
· How telepathy and psychokinesis, once considered pseudoscience, may one day be possible using advances in MRI, computers, superconductivity, and nanotechnology
· Why a time machine is apparently consistent with the known laws of quantum physics, although it would take an unbelievably advanced civilization to actually build one
Kaku uses his discussion of each technology as a jumping-off point to explain the science behind it. An extraordinary scientific adventure, Physics of the Impossible takes readers on an unforgettable, mesmerizing journey into the world of science that both enlightens and entertains.


 

  Anatomy Coloring Book, The (3rd Edition)

 
Anatomy Coloring Book, The (3rd Edition) under The Books Store
Price: $21.80
Sale: $13.20
 
Manufacturer: Benjamin Cummings
Number of Items: 1
 
 
Binding: Paperback
Author: Wynn Kapit::Lawrence M. Elson
Publisher: Benjamin Cummings
Edition: 3
Dewey Decimal Number: 611
Publication Date: 2001-07-05
Reading Level: 170
 
Description:

Often imitated, never duplicated.

  • New! Lay-flat binding makes coloring easier.
  • New! 8 plates have been added: Accessory Structures of the Skin, Temporomandibular Joint, Upper Limb: Shoulder (Glenohumeral) Joint, Upper Limb: Elbow Joints, Lower Limb: Male and female Pelves, Lower Limb: Sacroiliac and Hip Joints, Lower Limb: Knee Joints, Somatic Visceral Receptors.
  • New! 7 additional sections: Skeletal and Articular Systems, Skeletal Muscular System, Central Nervous System, Central Nervous System: Cavities and Coverings, Peripheral Nervous System, Autonomic Nervous System, Human Development.

For over 23 years, The Anatomy Coloring Book has been the leading human anatomy coloring book, offering concisely written text and precise, extraordinary hand-drawn figures. Organized according to body systems, each of the 170 plates featured in this book includes an ingenious color-key system anatomical terminology is linked to detail illustration of the structures of the body.

Wynn Kapit graduated in 1955 from the University of Miami, Florida with honors in Business Administration and Law. He then attended Art Center School in Los Angeles and worked in New York as a graphic designer and advertising art director from 1960-66. He moved to California to pursue a painting career and was given a one-man show at the Legion of Honor in San Francisco in 1968. He then attended the University of California at Berkeley and received a Masters in Painting and worked as a portraitist and teacher of figure drawing.

While taking a class in human anatomy at San Francisco City College, he discovered a way to effectively learn the subject by coloring in drawings, diagrams and names. The teacher of the course, Lawrence Elson, Ph.D. agreed to help him produce a coloring book. Elson wrote and Kapit designed and illustrated The Anatomy Coloring Book, which was published in 1977 and has been a widely-translated bestseller ever since. The Physiology Coloring Book was published in 1987, with the assistance of two professors from Berkeley: Robert Macey and Esmail Meisami. The Geography Coloring Book was published in 1991; Kapit drew the maps and wrote the text. The Anatomy Coloring Book was published in a second edition in 1993, and second editions of Geography and Physiology Coloring Books will be published in 1997.


Lawrence M. Elson received his undergraduate degree from the University of California, Berkeley in Zoology (Pre-Med), and completed his graduate and Ph.D. work in Human Anatomy also at the University of California, Berkeley. Elson has served as an instructor in human anatomy at the City College of San Francisco, an assistant professor of anatomy at Baylor College of Medicine, and as a lecturer at numerous additional universities and professional organizations.

Elson is the founder and president of Coloring Concepts, Inc. (CCI), producer and packager of college level, educational, scientific directed-coloring texts. He is the author/co-author of the Anatomy Coloring Book, Human Brain Coloring Book, Zoology Coloring Book, and Microbiology Coloring Book.

Presently, he is principally functioning as a clinical and forensic anatomist retained as a consultant to governments, provinces, insurance and other corporations, and law firms on causation of injury issues in cases in or anticipated to be involved in litigation.

Future plans include expanding CCI by developing new titles in the physical sciences and other education-related disciplines.




 

  The Botany of Desire: A Plant's-Eye View of the World

 
The Botany of Desire: A Plant's-Eye View of the World under The Books Store
Price: $15.00
Sale: $7.74
 
Manufacturer: Random House Trade Paperbacks
Number of Items: 1
 
 
Binding: Paperback
Author: Michael Pollan
Publisher: Random House Trade Paperbacks
Edition: 1
Dewey Decimal Number: 306.45
Publication Date: 2002-05-28
Reading Level: 304
 
Description: Working in his garden one day, Michael Pollan hit pay dirt in the form of an idea: do plants, he wondered, use humans as much as we use them? While the question is not entirely original, the way Pollan examines this complex coevolution by looking at the natural world from the perspective of plants is unique. The result is a fascinating and engaging look at the true nature of domestication.

In making his point, Pollan focuses on the relationship between humans and four specific plants: apples, tulips, marijuana, and potatoes. He uses the history of John Chapman (Johnny Appleseed) to illustrate how both the apple's sweetness and its role in the production of alcoholic cider made it appealing to settlers moving west, thus greatly expanding the plant's range. He also explains how human manipulation of the plant has weakened it, so that "modern apples require more pesticide than any other food crop." The tulipomania of 17th-century Holland is a backdrop for his examination of the role the tulip's beauty played in wildly influencing human behavior to both the benefit and detriment of the plant (the markings that made the tulip so attractive to the Dutch were actually caused by a virus). His excellent discussion of the potato combines a history of the plant with a prime example of how biotechnology is changing our relationship to nature. As part of his research, Pollan visited the Monsanto company headquarters and planted some of their NewLeaf brand potatoes in his garden--seeds that had been genetically engineered to produce their own insecticide. Though they worked as advertised, he made some startling discoveries, primarily that the NewLeaf plants themselves are registered as a pesticide by the EPA and that federal law prohibits anyone from reaping more than one crop per seed packet. And in a interesting aside, he explains how a global desire for consistently perfect French fries contributes to both damaging monoculture and the genetic engineering necessary to support it.

Pollan has read widely on the subject and elegantly combines literary, historical, philosophical, and scientific references with engaging anecdotes, giving readers much to ponder while weeding their gardens. --Shawn Carkonen


 

  Math Doesn't Suck: How to Survive Middle School Math Without Losing Your Mind or Breaking a Nail

 
Math Doesn't Suck: How to Survive Middle School Math Without Losing Your Mind or Breaking a Nail under The Books Store
Price: $15.00
Sale: $8.54
 
Manufacturer: Plume
Number of Items: 1
 
 
Binding: Paperback
Author: Danica McKellar
Publisher: Plume
Edition: Reprint
Dewey Decimal Number: 510
Publication Date: 2008-07-01
Reading Level: 320
Reading Level: Ages 9-12
 
Description: The runaway national bestseller, now in paperback

 

  The Visual Display of Quantitative Information, 2nd edition

 
The Visual Display of Quantitative Information, 2nd edition under The Books Store
Price: $40.00
Sale: $26.95
 
Manufacturer: Graphics Press
Number of Items: 1
 
 
Binding: Hardcover
Author: Edward R. Tufte
Publisher: Graphics Press
Edition: 2
Dewey Decimal Number: 001.4226
Publication Date: 2001-05
Reading Level: 197
 
Description: A timeless classic in how complex information should be presented graphically. The Strunk & White of visual design. Should occupy a place of honor--within arm's reach--of everyone attempting to understand or depict numerical data graphically. The design of the book is an exemplar of the principles it espouses: elegant typography and layout, and seamless integration of lucid text and perfectly chosen graphical examples. Very Highly Recommended.

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