Music in The Books Store

For more than a quarter century, Philip Norman's internationally bestselling Shout! has been unchallenged as the definitive biography of the Beatles. Now, at last, Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the comprehensive and most revealing portrait of John Lennon that is ever likely to be published.

This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John.

Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.

In this moving memoir, Robert J. Wagner opens his heart to share the romances, the drama, and the humor of an incredible life

He grew up in Bel Air next door to a golf course that changed his life. As a young boy, he saw a foursome playing one morning featuring none other than Fred Astaire, Clark Gable, Randolph Scott, and Cary Grant. Seeing these giants of the silver screen awed him and fueled his dreams of becoming a movie star. Battling a revolving door of boarding schools and a father who wanted him to forget Hollywood and join the family business, sixteen-year-old Wagner started like any naïve kid would—walking along Sunset Boulevard, hoping that a producer or director would notice him.

Under the mentorship of stars like Spencer Tracy, he would become a salaried actor in Hollywood's studio system among other hot actors of the moment such as his friends Rock Hudson and Tony Curtis. Working with studio mogul Darryl Zanuck, Wagner began to appear in a number of films alongside the most beautiful starlets—but his first love was Barbara Stanwyck, an actress twice his age. As his career blossomed, and after he separated from Stanwyck, he met the woman who would change his life forever, Natalie Wood. They fell instantly and deeply in love and stayed together until the stress of their careers—hers marching upward, his inexplicably deflating—drove them to divorce.

Trying to forget the pain, he made more movies and spent his time in Europe with the likes of Steve McQueen, Sophia Loren, Peter Sellers, Laurence Olivier, David Niven, Liz Taylor, and Joan Collins. He would meet and marry the beautiful former model and actress Marion Marshall. Together they had a daughter and made their way back to America, where he found himself at the beginning of a new era in Hollywood—the blossoming of television. Lew Wasserman and later Aaron Spelling would work with Wagner as he produced and starred in some of the most successful programs in history.

Despite his newfound success, his marriage to Marion fell apart. He looked no further than Natalie Wood, for whom he still pined. To the world's surprise, they fell in love all over again, this time more deeply and with maturity. As she settled into a domestic life, raising their own daughter, Courtney, as well as their children from previous marriages, Wagner became the sole provider, reaping the riches of television success. Their life together was cut tragically short, though, when Wood died after falling from their yacht.

For the first time, Wagner writes about that tremendously painful time. After a serious bout with depression, he finally resurfaced and eventually married Jill St. John, who helped keep his family and his fractured heart together.

With color photographs and never-before-told stories, this is a quintessentially American story of one of the great sons of Hollywood.

Marcia! Marcia! Marcia!

Marcia Brady, eldest daughter on television's The Brady Bunch, had it all—style, looks, boys, brains, and talent. No wonder her younger sister Jan was jealous! For countless adolescents across America who came of age in the early 1970s, Marcia was the ideal American teenager. Girls wanted to be her. Boys wanted to date her. But what viewers didn't know about the always-sunny, perfect Marcia was that offscreen, her real-life counterpart, Maureen McCormick, the young actress who portrayed her, was living a very different—and not-so-wonderful—life. Now, for the very first time, Maureen tells the shocking and inspirational true story of the beloved teen generations have invited into their living rooms—and the woman she became.

In Here's the Story, Maureen takes us behind the scenes of America's favorite television family, the Bradys. With poignancy and candor, she reveals the lifelong friendships, the hurtful jealousies, the offscreen romance, the loving support her television family provided during a life-or-death moment, and the inconsolable loss of a man who had been a second father. But The Brady Bunch was only the beginning. Haunted by the perfection of her television alter ego, Maureen landed on the dark side, caught up in a fast-paced, drug-fueled, star-studded Hollywood existence that ultimately led to the biggest battle of her life.

Moving from drug dens on Wonderland Avenue to wild parties at the Playboy mansion and exotic escapades on the beaches of Hawaii, this candid, hard-hitting memoir exposes a side of a beloved pop-culture icon the paparazzi missed. Yet it is also a story of remarkable success. After kicking her drug habit, Maureen battled depression, reconnected with her mother, whom she nursed through the end of her life, and then found herself in a pitched battle for her family in which she ultimately triumphed.

There is no question: Maureen McCormick is a survivor. After fifty years, she has finally learned what it means to love the person you are, insight that has brought her peace in a happy marriage and as a mother. Here's the Story is the empowering, engaging, shocking, and emotional tale of Maureen McCormick's courageous struggle over adversity and her lifelong battle to come to terms with the idea of perfection—and herself.

Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals."

The inspiring story of Rex, a boy who is not only blind and autistic, but who also happens to be a musical savant.

How can an 11-year old boy hear a Mozart fantasy for the first time and play it back note-for-note perfectly-but struggle to navigate the familiar surroundings of his own home? Cathleen Lewis says her son Rex's laugh of total abandon is the single most joyous sound anyone could hear, but his tortured aversion to touch and sound breaks her heart and makes her wonder what God could have had in mind. In this book she shares the mystery of Rex and the highs, lows, hopes, dreams, joy, sorrows, and faith she has journeyed through with him.

sTORI Telling is Tori's chance to finally tell her side of the tabloid-worthy life she's led, and she talks about it all: her decadent childhood birthday parties, her nose job, her fairy-tale wedding to the wrong man, her so-called feud with her mother. Tori has already revealed her flair for brilliant, self-effacing satire on her VH1 show So NoTORIous and Oxygen's Tori & Dean: Inn Love, but her memoir goes deeper, into the real life behind the rumors: her complicated relationship with her parents; her struggles as an actress after 90210; her accident-prone love life; and, ultimately, her quest to define herself on her own terms.

From her over-the-top first wedding to finding new love to her much-publicized--and misunderstood--"disinheritance," sTORI Telling is a juicy, eye-opening, enthralling look at what it really means to be Tori Spelling.

Anyway, we moved in when I was seventeen and I only lived there for two years. In some ways the house is like a normal house, but everything is on a bigger scale. It has four floors: the basement (which we call the "Lower Level," probably because that's its designation on the elevator) and the first, second, and third floors. The first floor has a kitchen, a breakfast room, a dining room, an office, a family room, a living room, and a projection room. There's a grand foyer with sweeping staircases on each side. Oh, and there's also a guards' room and the staff dining room. Everyone except fancy guests comes through the service entrance into a hallway with the guards' room and the kitchen.

The kitchen is gigantic, and my fondest memory of it is from when I was twenty-one and had just moved back in after splitting up with a boyfriend. I came home drunk with some girlfriends, and we pillaged the two double-sized Sub-Zero refrigerators. There was always bulk food in there for the staff. We pulled out a big vat of chicken salad and a tub of peanut dressing, both of which looked like they'd been made for giants. Somewhere in the middle of our feast we decided to have a food fight, and the five of us started flinging food at each other. Soon we were covered in peanut dressing from head to toe and the pristine kitchen was a mess. Then we heard a ding, the elevator doors opened, and there was my mother.

She stared at us in silent disbelief. I said, "We're going to clean it up!" She just said, "Mmm hmm," and left the room. I felt a surge of love for her in that moment. It took us hours to clean the kitchen, but it was worth it. That moment made it feel, for once, like home. --Tori Spelling