Description: Yep--the artist formerly known as Hannah Montana is going it alone. Having conquered the teen market under her Hannah Montana moniker, 15-year-old Cyrus is now aiming for the adult world; or at least a slightly older audience. Breakout follows her dual-marketed Hannah Montana 2: Meet Miley Cyrus album, and differs from it in that she sounds a little more grown up, a little rougher around the edges, and just a touch more self-expressive. Needless to say, Breakout is produced to within an inch of its life. Every aspect, from concept to mixdown, has been polished and buffed to achieve that perfect tween sheen. Despite this resulting in a somewhat sterile and claustrophobic aura, the album manages to achieve some infectious moments. To her credit, Cyrus has co-written most of the songs here (all but two), which largely eschew electronic dancefloor sounds for a guitar-heavy ethic. The punchy title track (co-produced by the Go-Go's Gina Schock), the thrashy, catchy "7 Things" and the boyfriend putdown "Fly On The Wall" are immediate highlights, but ballads such as "Bottom of the Ocean" and her sped up version of Cyndi Lauper's "Girls Just Want To Have Fun" are much less convincing. Breakout reveals a genuine young talent, but one that's perhaps being rushed way too quickly towards her prime.--Danny McKenna
Description: The Snow Patrol we meet on A Hundred Million Sunsis a band facing the same dilemma that Coldplay met on 2008’s Viva la Vida; having conquered the world with a rousing, melancholy brand of MOR indie, where now? On the surface, A Hundred Million Suns seems to suggest, nothing especially new: producer Jacknife Lee, who first worked with the band on 2003's Final Straw and went on to work with the likes of U2 and REM returns to the fold; and an opening brace of songs suggest that a successful formula--chiming guitars, gentle builds, and Gary Lightbody's quavering, tremulous vocal--persists. Still, “Take Back The City", a windswept, electronic-tinged rocker, rather does for this band what “Dakota" did for Stereophonics, proving that a spot of sleek, synthetic motorik is not beyond their grasp, and there's a new, bright optimism to Lightbody's lyrics that sets the likes of “The Planets Bend Between Us" in light relief to some of Snow Patrol's earlier work. If you want experiments, though, you'll have to wait until the closing “The Lightning Strike", a 16-minute track in three parts that investigates Phillip Glass-style minimalism and electronic beats with some aptitude. --Louis Pattison
Description: She may be beautiful, but Alicia Keys is a musician first and foremost. She plants herself firmly behind the piano keys on her debut, unlike many of the booty-waggin' junior divas who are crowding the R&B videoscape these days. Though many of the tracks on Songs in A Minor are embellished with adolescent angst, this 20-year-old's substantial, gorgeously soul-drenched alto putties the cracks between notes with astonishing ease. "Fallin'," the album's first single, showcases Keys at her best. She wails plaintively and passionately over rolling blues chords, in the tradition of the greats that this young talent clearly wants to align herself with--Stevie Wonder, Donny Hathaway, and Aretha Franklin. She swoops and soars over the spicy, flamenco-fueled melody that opens "Mr. Mann," one of the many winning tracks gathered here. And she digs deep into a remake of the beloved Prince B-side, "How Come U Don't Call Me Anymore?" packing more heat into her melismatic wails than most singers twice her age. --Sylvia W. Chan
Artist: The Cistercian Monks of Stift Heiligenkreuz
Label: Decca
NumberOfDiscs: 1
ReleaseDate Date: 2008-07-01
Description: Chant, is the most peaceful music imaginable. Chant: Music for the Soul, is the ultimate in relaxation and stress relief - the perfect antidote to our fast-moving modern world. Chant has proven to heal, calm and also give strength; its power is timeless and universal. Previous albums of chant have sold in the tens of millions. Further fueling the huge general demand is Chant's use in the smash-hit computer game Halo - this is chant for a new computer-gaming generation.
Description: It's no coincidence that Michael Bublé's new album starts with just his voice and some fingersnaps on "The Best Is Yet to Come," a song made famous by Frank Sinatra. The Canadian smoothie looks longingly towards early-'60s Vegas, an impression quickly reinforced when a boisterous horn section makes its grand entrance, about 20 seconds into the track. That Bublé means business is confirmed by the second cut, a fast-paced take on Henry Mancini's "It Had Better Be Tonight," and of course by the CD's very title, another song identified with Sinatra as his cockiest. There are just a few sidesteps from the retro formula that's served Bublé so well so far: a languid duet with Brazilian star Ivan Lins on the bossa "Wonderful Tonight," a gospel choir on "That's Life." Interestingly, Bublé co-wrote the best of those sidesteps, "Everything," a Norah Jones-esque number that alluringly harks back to sunny '70s pop. It's also the only song on the album produced by Bob Rock (best known for his work with Metallica), sending out a strong signal that Bublé should reach out to unlikely collaborators more often. --Elisabeth Vincentelli
Description: Paul McCartney's 2008 album with producer Youth. Each track written,recorded and sung in the space of one day with Paul McCartney, playing all instruments. 'The album's opener is classic rock and an instant attention grabber. A heavy guitar riff with loud drums and souring vocals, it's like nothing The Fireman have ever done before.' The Fireman are back after a ten-year break. Electric Arguments is their third and brand new studio album and it's not the album people might expect from the mysterious duo.'
Description: Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys knock-offs to reggae and to the unknown ("Revolution #9"), this has it all. Some records have legend written all over them; this is one. --Chris Nickson
Description: Listeners familiar with the Charlie Haden's celebrated career may not know of the legendary jazz bassist's early years in country music performing with his family. Charlie Haden Family & Friends: Rambling Boy brings the artist's personal history full circle and presents a new generation of the Haden Family - a legendary Midwest music institution in the 1930s and 1940s, now reborn in the 21st century. Rambling Boy includes songs made famous by the Stanley Brothers, the Carter Family, and Hank Williams alongside fabled traditional tunes and some striking original compositions. The performing cast includes Haden, his wife and co-producer Ruth Cameron, all four of his children (the triplets Petra, Rachel and Tanya Haden, their brother Josh Haden), and his son-in-law Jack Black-- each of whom has his or her own career in music. In addition, Rambling Boy features guest appearances by some of the most illustrious names in contemporary Americana and popular music: Roseanne Cash, Elvis Costello, Vince Gill, Bruce Hornsby, Ricky Skaggs & the Whites, and Dan Tyminski and also includes such illustrious musicians as Jerry Douglas, Sam Bush, Stuart Duncan, Bryan Sutton and more.
Description: Irish producer/arranger David Downes, the creative mastermind behind Celtic Woman's chart breakthrough and burgeoning international success, here conjures up an inviting holiday showcase for his neo-superstar crossover quartet. He pushes the group's crowd-pleasing formula into more expansive arrangements with the Irish Film Orchestra, supplemented by a strong core of featured instrumentalists, including Downes himself. If the ethnic folk influences that gave the group its name are sometimes less pronounced, the result is a collection whose dignified, pop elegance often transcends national boundaries. The vocal performances are expectedly polished, with the quintet breaking off into smaller units and solo showcases such as Lisa Kelly's Broadway-lullaby take on "The Christmas Song," a neo-classical "Panis Angelicus" by Chloe Agnew, and the muscular orchestral/choral setting for Mariead Nesbitt's earthy fiddle on "Carol of the Bells." The quintet (backed only by Nesbitt's spare strings) harmonize richly on "Have Yourself a Merry Little Christmas" and bring their trademark neo-Celtic charms more fully to bear on intimate translations of "Silent Night" and "The Wexford Carol" as well as a glorious take on the Gaelic traditional "That Night in Bethlehem." Perhaps to remind fans of their true range, the swinging, big-band bonus track "Let It Snow" closes the collection with upbeat flair. --Jerry McCulley
Description: The album Evolver features superstars Kanye West, Andre 3000 and Estelle.The album's first single 'Green Light' impacted Urban & Rhythm formats August 19th, 2008. John Legend's debut CD Get Lifted & sophomore CD Once John Legend is the winner of five Grammy Awards.
