Outdoors & Nature in The Books Store

This new field guide provides a suite of modern tools to effectively aid in the identification of more than 750 species of birds across North America. It introduces a "whole bird" approach by concisely gathering a collection of information about birds into one portable and well-organized volume.

• 2,000 stunning color photographs of birds in natural habitats show the most important field marks, regional population differences, life stages, and behaviors
• 700-plus detailed and up-to-date color range maps show summer, migration, winter, year-round, and rare but regular occurrences of every major species
• A DVD of birdsongs for 138 major species (587 vocalizations in all for 5½ hours of play); each high-quality MP3 file is embedded with an image of the bird, perfect to view on home computers and portable MP3 players
• Concise descriptions of habits and ecology, age-related and seasonal differences, regional forms, vocalization, and informative captions pointing out the most important aspects of the bird
• 46 group essays with information outlining taxonomy, feeding, migration, habitats, behaviors, and conservation status
• A thorough and accessible introduction to birds and birding includes sections on parts of a bird, plumage and molt, food and feeding, migration, habitats, conservation, tips on bow to become a better birder, and more
• A detailed glossary of terms, species checklist, and quick index

The new Smithsonian Field Guide to the Birds of North America is perfectly designed to give birders the most powerful and user-friendly collection of information to carry into the field or wherever they enjoy learning about birds and nature.

A Look (and Listen) Inside the Smithsonian Field Guide to the Birds of North America
Click on an image below to sample one of the 587 different downloadable bird songs included with the guide.

American Wigeon	Common Loon	Mallard
Red-Winged Blackbird	Mourning Dove	Northern Cardinal

Cool It: The Skeptical Environmentalist's Guide to Global Warming will further enhance Lomborg’s reputation for global analysis and thoughtful response. For anyone who wants an overview of the global warming debate from an objective source, this brief text is a perfect place to start. Lomborg is only interested in real problems, and he has no patience with media fear-mongering; he begins by dispatching the myth of the endangered polar bears, showing that this Disneyesque cartoon has no relevance to the real world where polar bear populations are in fact increasing. Lomborg considers the issue in detail, citing sources from Al Gore to the World Wildlife Fund, then demonstrating that polar bear populations have actually increased five fold since the 1960s.

Lomborg then works his way through the concerns we hear so much about: higher temperatures, heat deaths, species extinctions, the cost of cutting carbon, the technology to do it. Lomborg believes firmly in climate change--despite his critics, he's no denier--but his fact-based approach, grounded in economic analyses, leads him again and again to a different view. He reviews published estimates of the cost of climate change, and the cost of addressing it, and concludes that "we actually end up paying more for a partial solution than the cost of the entire problem. That is a bad deal."

In some of the most disturbing chapters, Lomborg recounts what leading climate figures have said about anyone who questions the orthodoxy, thus demonstrating the illiberal, antidemocratic tone of the current debate. Lomborg himself takes the larger view, explaining in detail why the tone of hysteria is inappropriate to addressing the problems we face.

In the end, Lomborg’s concerns embrace the planet. He contrasts our concern for climate with other concerns such as HIV/AIDS, malnutrition, and providing clean water to the world. In the end, his ability to put climate in a global perspective is perhaps the book’s greatest value. Lomborg and Cool It are our best guides to our shared environmental future.

--Michael Crichton

(photo credit: Jonathan Exley)

This dramatic, beautifully written account of the flood that ravaged Florence, Italy, in 1966 weaves heartbreaking tales of the disaster and stories of the heroic global efforts to save the city’s treasures against the historic background of Florence’s glorious art.

On November 4, 1966, Florence, one of the world’s most historic cities and the repository of perhaps its greatest art, was struck by a monumental calamity. A low-pressure system had been stalled over Italy for six weeks and on the previous day it had begun to rain again. Nineteen inches fell in twenty-four hours, more than half of the annual total. By two o’clock in the morning twenty-thousand cubic feet of water per second was moving towards Florence. Soon manhole covers in Santa Croce were exploding into the air as jets of water began shooting out of the now overwhelmed sewer system. Cellars, vaults, and strong-rooms were filling with water. Night watchmen on the Ponte Vecchio alerted the bridge’s jewelers and goldsmiths to come quickly to rescue their wares. By then the water was moving at forty miles per hour at a height of twenty-four feet. At 7:26 a.m. all of Florence’s electric civic clocks came to a stop. The Piazza Santa Croce was under twenty-two feet of water. Beneath the surface, twelve feet of mud, sewage, debris, and oil sludge were starting to ooze and settle into the cellars and crypts and room after room above them. Six-hundred-thousand tons of it would smother, clot, and encrust the city. 
Dark Water brings the flood and its aftermath to life through the voices of witnesses past and present. Two young American artists wade heedlessly through the inundated city carrying their baby in order to witness its devastated beauty: the Ponte Vecchio buried in debris and Ghiberti’s panels from the doors of the Florence Baptistery, lying heaped in yard-deep mud; the swamped Uffizi Gallery; and, in the city libraries, one billion pages of Renaissance and antique books, soaked in mire. A Life magazine photographer, stowing away on an army helicopter, arrives to capture a drama that, he felt, “could only be told by Dante” amid the flooded tombs of Machiavelli and Michelangelo in Giotto and Vasari’s Santa Croce. A British student, one of thousands of “mud angels” who rushed to Florence to save its art, spends a month scraping mud and mold from Cimabue’s magnificent and neglected Crocifisso as intrigues and infighting among international art experts and connoisseurs swirl around him. And during the fortieth anniversary commemorations of 2006 the author asks himself why art matters so very much to us, and how beauty seems to somehow save the world even in the face of overwhelming disaster.