|
Search Results:
|
Displaying records 31 through 40 of 2579 |
|
|
|
|
|
|
|
|
|
|
|
Price: $12.98
|
|
Sale: $4.99
|
| |
|
Manufacturer: Sony
|
| |
|
|
|
|
|
|
|
|
|
Price: $9.98
|
|
Sale: $5.95
|
| |
|
Manufacturer: Deutsche Grammophon
|
| |
|
|
|
|
|
|
|
|
|
Price: $23.98
|
|
Sale: $13.49
|
| |
|
Manufacturer: Deutsche Grammophon
|
| |
|
Description: This Lucia was recorded in 1970, when Beverly Sills was at the peak of her vocal and dramatic powers. She had been singing the role of Lucia on stage for six years, and she knew the character. Here is a manic-depressive who is slightly crazy from the start, and Sills's embellishments to the vocal line (and there are tons of them; hardly a line is left as written), mostly composed especially for her, are always at the service of the drama. She is a far cry from the chirpy Pons and Peters (and even Sutherland, whose just-plain-singing of the role is unmatchable, but who was never all that interested in building character) and comes closer to Callas, but without the great Greek soprano's huge palette of colors or, for that matter, vocal limitations. Sills is gloriously fluent in the coloratura, the high notes are impeccable, and her reading of the words is truly involved and involving. Carlo Bergonzi has everything as Edgardo, while Piero Cappuccilli's Enrico is snarling and cruel. Schippers leads a very tight, exciting, complete performance, and for the first (and only) time on CD, the glass harmonica Donizetti asked for is used in the Mad Scene. This is a must for lovers of great singing. --Robert Levine
|
|
|
|
|
|
|
|
|
|
Price: $7.98
|
|
Sale: $4.48
|
| |
|
Manufacturer: Decca
|
| |
|
|
|
|
|
|
|
|
|
Price: $19.98
|
|
Sale: $12.97
|
| |
|
Manufacturer: Angel Records
|
| |
|
|
|
|
|
|
|
|
|
Price: $16.98
|
|
Sale: $8.99
|
| |
|
Manufacturer: Decca
|
| |
|
Description: Here again young Peruvian tenor Juan Diego Florez proves himself a pleasure to listen to. The music on this CD is not as florid as on his previous recital, but the manner in which he approaches this selection of scenes by Donizetti and Bellini is just as artful. The tone is beautiful and even from bottom to amazingly easy top; he gets "in" each character; his smooth, elegant delivery ("Una furtive lagrima" is simply and meltingly sung, as is Ernesto's aria from Don Pasquale) is as wondrous as his acrobatics--rarely have Tonio's nine high Cs from the Fille du Regiment aria sounded so natural, so part of the character's enthusiasm, and rarely has Arturo's abrupt rise to high C sharp in "A te o cara" sounded so effortless. Florez's basic sound is sweet, but he can exclaim excitingly, as he does in the scene from I Capuleti e i Montecchi. And wait until you hear the ditty from Donizetti's Rita! Rarely has singing sounded like so much fun. Conductor Riccardo Frizza leads the orchestra (and chorus) with knowing early 19th-century style. Don't miss this. --Robert Levine
|
|
|
|
|
|
|
|
|
|
Price: $13.98
|
|
Sale: $0.98
|
| |
|
Manufacturer: RCA Victor
|
| |
|
Description: Inspired by the astoundingly popular The Three Tenors series, Broadway director Marion J. Caffey conceived and directed Three Mo' Tenors, bringing greater visibility to the classically trained African American voice. Starring seasoned tenors Roderick Dixon, Thomas Young, and Victor Trent Cook, Three Mo' Tenors is a theatrically staged concert set taped for public television's Great Performances. A companion to the taped show, the disc features just over an hour of live music from it. The phenomenal showmanship of Dixon, Young, and Trent Cook takes shape in the styles of opera, Broadway, blues, jazz, soul, spirituals, and gospel. The three virtuosos hit high C's with clarity and brilliance; scat with grace and grit; belt, bend and hold a note to beat the band. They move the audience to a state of near-ecstasy performing the traditional "Were You There (When They Crucified My Lord)" and Puccini's glorious "Nessum Dorma." Other standouts include the jazz classic "Twisted," a rollicking version of "Today I Sing the Blues," and the salty "Minnie the Moocher." Boisterous, bold, and bountiful, Three Mo' Tenors is a modern classic. --Paige LaGrone
|
|
|
|
|
|
|
|
|
|
Price: $13.98
|
|
Sale: $7.86
|
| |
|
Manufacturer: RCA
|
| |
|
Description: Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing is that Björling, whether singing an entire role or a single aria, can instantly create a character and bring him to vibrant life. He sings everything in the original keys--his high B-flats, B's, and C's are thrilling--and almost everything in the original language, including a few songs by Schubert, Strauss, and Grieg. Recorded live in recital, they are delightful--only one is too operatic. Among his partners, soprano Zinka Milanov and baritone Robert Merrill stand out. This recording presents an incomparable artist at his incomparable best. --Edith Eisler
|
|
|
|
|
|
|
|
|
|
Price:
|
|
Sale: $20.89
|
| |
|
Brand: B & A Computer
|
| |
|
|
|
|
|
|
|
|
|
Price: $9.98
|
|
Sale: $5.98
|
| |
|
Manufacturer: Decca
|
| |
|
|
|
|
|
|
|
Displaying records 31 through 40 of 2579
|
|
|
|