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Displaying records 151 through 160 of 2579 |
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Price: $17.98
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Sale: $16.60
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Manufacturer: Polygram Records
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Description: This really is a remarkable collection, and anyone even remotely interested in opera is bound to be vastly entertained by it. Almost everything and everyone is here, albeit in small doses: Tebaldi, Pavarotti (a lot), Bjoerling, Bartoli, Sutherland, Solti, Karajan, Troyanos, Gheorghiu, Nucci; the composers are Puccini, Verdi, Bizet, and all the other usual suspects. There are plenty of fine compilation sets on the market, and this is one of the best. One can only hope that it whets listeners' appetites for whole operas. --Robert Levine
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![The Original Jacket Collection: Montserrat Caballé [Limited Edition] under The Classical Store](http://ecx.images-amazon.com/images/I/51KM20e4pPL.jpg) |
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Price: $89.98
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Sale: $58.18
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Manufacturer: Sony Classics
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Price: $7.98
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Sale: $3.40
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Manufacturer: Deutsche Grammophon
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Price: $90.98
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Sale: $59.98
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Manufacturer: Deutsche Grammophon
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Description: Gaetano Donizetti didn't actually set out to compose a cycle based on the tragic histories of the Tudor Queens. The three works gathered here--including his breakthrough opera, Anna Bolena, Roberto Devereux, and the long-neglected Maria Stuarda--were created at various points in his maniacally prolific career, and each has its own rather complicated, haphazard genesis. But the belated reappreciation given to these works at New York City Opera during the heyday of the bel canto revival--a crucial step in the overall revival of Donizetti as well--conferred a sort of post facto sense of unity thanks to the signature contributions of Beverly Sills. These roles were, quite unpunningly, her crowning achievement. Yet despite a brief efflorescence of celebrity (even extending to a Time magazine cover) when she was considered perhaps the rival to Joan Sutherland, Sills slipped through the cracks. For all her formidable acting skill--a substantial aspect of her accomplishment in these interpretations--she never quite made it to the era of opera telecasting, and her problematic recorded catalog and relatively early retirement from the stage hindered the Sills legend from extending to a new generation. But now, there's no excuse to overlook the Sills achievement. Coupled with the belated reissue of her early triumph in The Ballad of Baby Doe, this Donizetti box set gives a fuller portrait of the artist Sills. This is quite simply a can't-miss bonanza for Donizetti-heads and, for that matter, fans of beautiful singing. The original project started off with Roberto Devereux--recorded in London in 1969--and continued until the summer 1972 recording of Anna Bolena, but this is the first time the old LPs have been made collectively available on CD in remastered format. The box includes facsimiles of the original lengthy liner notes (with astute background, commentary, and translations--full libretti included--by William Ashbrook) and a bonus booklet of photos from the original NYC Opera productions. Just as the musical content varies in quality from opera to opera, indeed within each opera, the level of performance is by no means seamless or at the same peak pitch throughout. Some listeners will prefer the less liberal but profoundly attentive and intuitively rich conducting of Charles Mackerras in Devereux, while others will overlook the rather surprisingly sloppy string ensemble and figuration committed by the London Symphony in Anna Bolena for the hectic energy and pacing Julius Rudel could conjure. The challenges demanded by Donizetti's heavy writing for Elisabetta in Devereux can manifest as strain, but this part also registers Sills's vocal acting with a powerful punch: just listen to the range of emotional content she sails through in the scene of her conflicted first duet with Roberto, beginning with "un tenero core" (Act I). One of the joys here is zeroing in on your own favorite passage, scena, flicker of insight: perhaps it's Anna in prison, the outburst of two queens meeting in the park outside Fotheringhay (who cares if history has been amended to suit dramatic license?), or Elisabetta's horrifying realization upon the execution of her beloved. And despite some unevenness in the casting, this set offers a number of other vocal treasures to set beside Sills's artistry: the utterly compelling Giovanna (Jane Seymour) of Shirley Verrett in Anna Bolena, Eileen Farrell's return to the studio for Maria Stuarda's imperious Elizabeth (interesting to compare with Sills's earlier slant on the queen from Devereux), Paul Plishka's imposing Henry the 8th, Peter Glossop's scheming Nottingham. If you're not already an addict, this set will bring you back for fix after fix. --Thomas May
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Price: $13.98
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Sale: $1.00
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Manufacturer: RCA
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Description: This isn't mezzo-soprano Denyce Graves's first solo disc (she has previously released a compilation of romantic opera heroines), but it's definitely her most impressive. Like many beginning recording artists, she hasn't always been able to project her stage electricity into the microphone, but with such a sumptuous voice, one doesn't always mind. Here, though, there's not a dull moment in two choice arias each from roles Graves has sung often onstage: her signature role of Carmen and her almost-as-famous Dalila. There's also a fairly promising preview of the Charlotte from Werther, which she'll sing with Andrea Bocelli in October 1999 in Detroit, though one senses she still has work to do in learning to act with her voice. Two baroque-period selections, an aria from Handel's Amadigi and Purcell's famous "When I Am Laid in Earth" from Dido and Aeneas, suffer from imprecise diction and messy ornaments. But the aria in which Graves sounds most emotionally present is, oddly enough, "Must the Winter Come So Soon" from Barber's Vanessa. Her vivid reading reminds you of what happens onstage with her and hopefully what's to come on recordings. --David Patrick Stearns
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Price: $16.98
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Sale: $9.89
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Manufacturer: EMI Classics
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Description: Yet again, the fascinating French soprano Natalie Dessay has come up with a winning recital. Canary fanciers can love her without guilt: her high notes are all in place (up to a solid E natural), her skill with fast coloratura is astonishing, her pitch is ideal, and her breath control is massive. But she's as interested in creating character as she is in pure singing. For once Ophelia's long Mad Scene from Thomas' Hamlet is a truly dramatic, heartbreaking event, for instance; similarly, Manon sounds young and sassy, as she should. Rarities by Boieldieu and Offenbach are a joy to hear; "Je suis Titania" and Juliette's Waltz Song are suitably virtuosic and show-offy--she's as good as any of the so-called "Golden Age" sopranos in this repertoire. Her tone remains full and pretty; only the very top notes have a bit of an edge, but this hardly detracts. In short, this is a remarkable recital--interesting pieces, gloriously sung. --Robert Levine
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Price: $16.98
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Sale: $7.64
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Manufacturer: EMI Classics
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Price: $16.98
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Sale: $8.05
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Manufacturer: Decca
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Price: $15.98
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Sale: $10.52
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Manufacturer: Hanssler Classics
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Description: "This is an impressive recording with impeccable virtuosity!" - OPERA TODAY The stunningly attractive soprano Miliza Korjus was a phenomenon. She was a gifted actress (earning an Academy Award nomination for her role in 1939’s The Great Waltz), enjoyed a tremendously successful career on both sides of the Atlantic and lived a rich, full life, ending as a socialite among Hollywood’s elite. Original recordings: 1934-1936.
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Price: $9.98
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Sale: $3.99
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Manufacturer: Telarc
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Displaying records 151 through 160 of 2579
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