Television in The Dvd and video tapes Store

Director David Jones, shooting on location in England and at London's Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come. --Kimberly Heinrichs

The center of the third season of Gilmore Girls was the Rory-Dean-Jess triangle, which played out with surprising sensitivity and not a bit of sadness; it all came to a head in the episode "They Shoot Gilmores, Don't They?" in which Rory and Lorelai's quest to win a dance marathon ends in tears and break-ups. The year's teen drama did have a tendency to put the adults on the back burner, but the luminous Graham made the most of her character's dilemmas, whether gauging her growing attraction to diner owner Luke (Scott Patterson) or wrestling with her parents' continuous meddling. While it is hard to pinpoint a specific compelling story arc for this season, that doesn't mean it wasn't filled with the charm, smarts, and rapid-fire dialogue that made Gilmore Girls one of the brightest shows on television. Stellar supporting turns from Liza Weil as Paris, Rory's friend and nemesis by turns, and a pre-O.C. Adam Brody, as a band member who falls for Rory's best friend Lane (Keiko Agena), also punctuated the drama of the season with great comedy. --Mark Englehart

**COMPANION BOOKLET **LETTER TO FANS FROM JOSS WHEDON

The first half of the fourth season definitely foundered, as the show's usually topnotch creative team struggled to find a way to keep the Gilmore chemistry afloat despite separating their main characters. There wasn't much drama to be found for Rory in starting college, and though it got off to a great start, Lorelai's relationship with Jason never fully gelled. However, once the show got its girls into the arms of their Stars Hollow men, it turned around almost immediately, surging towards a creative revival that put its ratings higher than they'd ever been before. Along the way to its surprising and complex season finale, there were great episodes to be had: "Girls in Bikinis, Boys Doin' the Twist," which found Rory and Paris on spring break; "The Reigning Lorelai," centering on an unexpected funeral; "The Festival of Living Art," which had Stars Hollow resident re-creating classic works; and "Luke Can See Her Face," which finally brought the Luke-Lorelai romance to the forefront. The season may have started out rough, but this fourth year ended with a bang, and the promise of more fireworks to come. --Mark Englehart

After many years of playing verbal footsy, Lorelai and Luke (Scott Patterson) finally get serious and engaged. But just when things are going smoothly, Luke learns of a daughter he never knew he had. The introduction of the little girl doesn't do much for the plot--other than to slow it down and cause more fights between Luke and Lorelai. When Luke warns Lorelai, "I don't like ultimatums," she snaps back, "I don't like Mondays, but unfortunately they come around eventually." This 5-disc 22-episode set includes an eclectic and impressive range of guest stars (Skid Row's Sebastian Bach, Paul Anka, Sonic Youth, and Madeline Albright, who appears in a dream sequence as Rory's mom). But it's cast regular Kelly Bishop as Lorelai's mother Emily who is one of the show's true gems. Prim, proper, and judgmental, she's also fiercely protective of her brood. When she learns that Logan's mother said unfavorable things about Rory, Emily confronts the woman and puts her in her place. Politely, of course. By the end of the season, one of the main characters will get married, another will have an affair, and a third will have a dalliance with an ex-boyfriend. But the relationship between Lorelai and Rory remains strong. And that's what keeps viewers watching. --Jae-Ha Kim

Created for ABC by Glenn Gordon Caron (Remington Steele), the romantic comedy/detective drama was a mid-season replacement that quickly became a hit. There were only six episodes in the first season, including the two-part pilot, but 18 were produced for the second. Rhyming receptionist Agnes DiPesto (Allyce Beasley) was a regular from the start, while Herbert Viola (Ray’s Curtis Armstrong) wouldn’t hit the scene until the third season (as with Paul Sorvino and Mark Harmon). The first two seasons attracted an eclectic array of guest stars, including Tim Robbins ("Gunfight at the So-So Corral"), Beasley's husband Vincent Schiavelli ("Next Stop Murder"), Dana Delany ("Knowing Her"), Richard Belzer ("Twas the Episode Before Christmas"), and Whoopi Goldberg ("Camille"), who earned an Emmy nomination for her performance. The most notable guest was surely Orson Welles, who introduces the black and white noir spoof "The Dream Sequence Always Rings Twice." It would be his final TV appearance. Moonlighting ran for three more years. While the Emmy-winning Willis would abandon TV for the big screen, Shepherd found subsequent small screen success with Cybill. Caron, meanwhile, would launch another mid-season replacement series which became a surprise hit: NBC's Medium with Patricia Arquette. --Kathleen C. Fennessy

It sounds like a premise potentially fraught with angst and trauma, but in reality Gilmore Girls was one of the freshest, airiest, most enjoyable shows to air on the perpetually melodramatic WB network, critically praised once viewers got hooked on its unique brand of humor. Rory's growing-up adventures, including her acclimation to snooty Chilton and romance with townie dreamboat Dean (Jared Padalecki), gave the show a teen-friendly feel, but Gilmore Girls was anchored in the adult by the luminous Graham, a brilliant comedic leading lady who could turn dramatic on a dime and never break stride. The show's hallmark was its rat-a-tat, whipsmart dialogue, delivered perfectly by Graham and Bledgel, as well as a host of wacky supporting characters who would go on to become invaluable cast members. The first season allowed the show--and its lead actresses--to bloom gracefully and establish a deep, humorous rapport that lent itself perfectly to weekly travails both comedic and dramatic. --Mark Englehart