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Jimmy Smits isn't the only welcome new regular face in season six. Alan Alda grandly returns to the medium that made him with effortless authority playing Republican senator and front-running aspirant to the West Wing's throne, Arnold Vinick. From his modest introduction, to the nuances of personality that slip through over the course of the season, Vinick is definitely one of the people we want to see more of. Adding her own personal flair and tweaking the subtleties of the scripts is Lily Tomlin as President Jed's protective secretary. Gary Cole plays smarmy and vapid with elan as the Vice President who believes he's heir apparent, and disgraced ex-VP Tim Matheson returns from the political graveyard, unbelievably believing he has a chance to win his party's nomination. The politics are still integral to the drama, with fiery President Martin Sheen refusing to go gentle into that good night of professional or personal shadows. The late, great John Spencer also brings poignancy to his last days as ex-Chief of Staff Leo McGarry, scenes made all the more touching by the actor's death in 2005. As with its best early seasons, The West Wing again proves that strong writing, top-flite production design, and authoritative acting always covers flashes of skepticism and makes great TV.--Ted Fry

In fact, fluffy and clever as some scenes are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at how death begets life, love, and passion. ‹Trinie Dalton

The classic combination of James Spader and William Shatner is just one of many reasons to savor the inaugural 17-episode season of Boston Legal. Making its highly rated ABC debut on October 3, 2004, this darkly comedic spinoff from The Practice looked like a formulaic reworking of creator David E. Kelley's previously successful series Ally McBeal, with similar plots and quirky characters enmeshed in personal and professional affairs of the heart at the prestigious Boston law firm of Crane, Poole & Schmidt. It quickly became apparent that Kelley, co-executive producer Bill D'Elia, and the show's magnificent ensemble cast were onto something equally fresh, funny, and infectiously entertaining.

Red Carpet Video: The Boston Legal cast gives Amazon.com some behind-the-scenes scoop and recommends their favorite DVDs and music. High |Low

Both Shatner and Spader won Emmys for their original roles on The Practice, and the priceless pairing of the erratic, egomaniacal senior partner Denny Crane (Shatner, doing the best work of his career) and ethically challenged attorney Alan Shore (Spader, likewise) signaled the arrival of one of the finest comedic duos in TV history. Waging a two-man war on political correctness, the boisterous has-been Denny loves the sound of his own name (the mere mention of "Denny Crane" qualifies as ego-stroking foreplay), unabashedly subjects female associates to his lascivious advances, and (in creator Kelley's words) "trades on the currency of his reputation" as an undefeated trial attorney. As the show's fascinating heart and soul, Alan Shore is a walking contradiction, and Spader plays him perfectly as a charismatic, self-loathing lothario who'll bend the law to suit his higher purposes. Deeply cynical yet fiercely committed to his own complex and compassionate moral code, he's brazenly open about his sexual appetites as he savors the affections of smart, sexy associates Sally Heep (Lake Bell), and Tara Wilson (Rhona Mitra), whose relationship with Shore grows strained as the season progresses.

While senior partner Paul Lewiston (Rene Auberjonois), senior associate and ex-Marine Brad Chase (Mark Valley), and junior associate Lori Colson (Monica Potter) struggle to maintain the firm's lofty reputation, the appearance of founding partner Shirley Schmidt (Candice Bergen) elevates Boston Legal to an even higher plane of serio-comic perfection. A former flame of Denny Crane's, Schmidt arrives in episode 11 (appropriately titled "Schmidt Happens") as common-sense negotiator with a rapier wit and a clanking pair of big brass cojones, fully capable of holding her own against the Crane/Shore juggernaut. And while "An Eye for an Eye" (episode 5) is a sublime example of Boston Legal's deft combination of lunacy and courtroom complexity, it's the deeper implications of episodes like "Tortured Souls" (15) and season finale "Death Be Not Proud" (tackling a dubious death sentence in Texas) that cast these rich and wonderful characters into sharper relief, baring their souls and the courage of their convictions.

With surprising departures (Lake Bell, in episode 13), new arrivals (Kerry Washington, as new associate Chelina Hall, in episode 15) and stellar guest stars including Larry Miller (as the eccentrically unstable founding partner Edwin Poole), Philip Baker Hall, Frances Fisher, Carl Reiner, Freddie Prinze Jr., Shelley Long, and late-season regular Betty White, Boston Legal gained a large and loyal following with exceptional writing, timely social relevance, and that rare quality of chemistry that guarantees long-term appeal. Nowhere is this more apparent than the now-famous Spader/Shatner "balcony scenes" that quickly became an episode-closing tradition, with staunch Republican Denny Crane and passionate Democrat Alan Shore reflecting upon their careers, current issues, and their own devoted friendship over brandy and cigars. With these two actors together, virtually every episode ends on a high note of pensive introspection, and Boston Legal becomes even greater than the sum of its parts. DVD extras are minimal (two featurettes with cast and producers, plus deleted scenes from episode 1) but enjoyably worthwhile. --Jeff Shannon