Midwest in The Books Store

In the late 1960s, another desperate time, historian Michael Lesy took a long look at fin-de-siècle America. Examining a collection of several thousand glass plate negatives and historical documents from Jackson County, Wisconsin, he concocted a sprawling treatise on a past that had been willfully forgotten, a brooding rejoinder to Edgar Lee Masters's Spoon River Anthology. First published in 1973, Lesy's Wisconsin Death Trip, now reissued in a handsome paperbound edition, became a key text of the counterculture, a book to shelve alongside Bury My Heart at Wounded Knee and Custer Died for Your Sins--and it sometimes reads like a hip product of its time. Lesy documents the unsettling record of one small corner of rural America, turning up accounts of barn burnings, attacks by gangs of armed tramps, threatening and obscene letters, death by diphtheria and smallpox (the Wisconsin townsfolk had, some years, to attend several funerals a week), alcoholism, madness, business and bank failures, and even a case or two of witchcraft.

In Isaac's Storm, Erik Larson blends science and history to tell the story of Galveston, its people, and the hurricane that devastated them. Drawing on hundreds of personal reminiscences of the storm, Larson follows individuals through the fateful day and the storm's aftermath. There's Louisa Rollfing, who begged her husband, August, not to go into town the morning of the storm; the Ursuline Sisters at St. Mary's orphanage who tied their charges to lengths of clothesline to keep them together; Judson Palmer, who huddled in his bathroom with his family and neighbors, hoping to ride out the storm. At the center of it all is Isaac Cline, employee of the nascent Weather Bureau, and his younger brother--and rival weatherman--Joseph. Larson does an excellent job of piecing together Isaac's life and reveals that Isaac was not the quick-thinking hero he claimed to be after the storm ended. The storm itself, however, is the book's true protagonist--and Larson describes its nuances in horrific detail.