Waltons in The Dvd and video tapes Store

Year 1 highlights include "The Carnival," in which the impoverished Waltons, who can't pay for tickets to see a circus performance, end up sheltering stranded carney folk. "The Typewriter" is a classic about John-Boy "borrowing" a museum's antique typewriter, only to have his sister Mary Ellen (Judy Norton) sell it as junk. "The Sinner" concerns the arrival of a fundamentalist minister on Walton's Mountain, finding comfort in the words of religious iconoclast John Walton after the clergyman makes a fool of himself with moonshine. That's Hamner himself providing touches of narration. During the long run of the multiple-award-winning The Waltons, there were many changes in casting and storylines. But this boxed set reveals a fine series in its pristine state. --Tom Keogh

The 24 episodes included in this box set feature a number of very strong stories, including a handful of classics, all immersed in the series' typically old-Hollywood production values. (Several season two shows were directed by Waltons' star Ralph Waite.) Among the best is the premiere, "The Journey," in which the ever-noble, college-bound John-Boy (Richard Thomas) passes on a school dance and an important date to take an aging neighbor, Maggie Mackenzie (Linda Watkins), on a special, final journey. "The Separation" finds Grandpa (Will Geer) and Grandma (Ellen Corby) Walton feuding—even living apart--after the former crafts a secret plan to raise money to pay the family's electricity bill. (Their reconciliation is one of the series' most enjoyable and tender moments.) The memorable "The Thanksgiving Story" is a nail-biter in which John-Boy, facing a hopeful future as he awaits college and a visit from his girlfriend, endures a head injury in the family mill and must undergo surgery. Finally, "The Honeymoon" sees John (Waite) and Olivia (Michael Learned) finally taking their honeymoon after 19 years of marriage and seven kids. Throughout all the major storylines is a constant buzz of subplots concerning John-Boy's younger siblings—their joys and disappointments, first loves, accomplishments and relationships with one another. The Waltons never slows down, but it is capable of revealing the most delicate of feelings within shared or private moments. --Tom Keogh

Jim-Bob (David W. Harper) dreams (and dreams) of becoming a pilot but is too young to enlist. The laconic teen also falls in love with a girl leaning toward entering a convent--the experience is painful, to say the least. But something in Jim-Bob grows up after that and stays that way. As for the girls, Mary Ellen (Judy Norton Taylor) struggles with a full-time job as a nurse while leaving her baby at home, though none of those complications compares with the loss she endures the day Japan attacks Pearl Harbor, where her doctor husband is stationed. Erin (Mary Beth McDonough) and Elizabeth (Kami Cotler) carry on with work and school, and Grandma (Ellen Corby) gets around pretty well while suffering the long-term results of a stroke. The war affects everything on Walton's Mountain, including race relations, the clientele at the Dew Drop Inn, the employment scene. But if that's not enough change for The Complete Seventh Season, there's a whopper of a development midway through the year affecting the health and presence of Olivia in the show. There's always change on The Waltons, but none has ever been quite as extensive or sad as what happens on The Complete Seventh Season. Despite (or even because of) the withdrawal of Richard Thomas from The Waltons, there is a delicate balance between the other characters heretofore unseen. --Tom Keogh

Meanwhile, John-Boy's father, John Walton (Ralph Waite), nurses a dream of opening a father-and-son-operated lumber mill, knowing full well that the very busy John-Boy can't do much without sacrificing his education. (John also discovers next-in-line son Jason (Jon Walmsley) is already dreaming about his own career beyond the mountain.) Walton mom Olivia (Michael Learned) looks wistful over the speed with which her children are growing up, and Grandpa (Will Geer) tries to do his part for the family's well-being within the limits of his age and rocky health. The Complete Third Season starts powerfully with a story about Walton kin, living elsewhere on the mountain, who refuse to leave their generations-long home in an eminent domain struggle with the government. Glimpses of the world Grandpa grew up in--full of moonshine, guns, and hardheaded men and women--abound in this fascinating episode. Other dramas concern heart problems for Grandpa; a runaway crisis when Jim-Bob (David W. Harper) bolts from home; a proper (and long-delayed) wedding for formerly eloped couple John and Olivia; a horse race that's supposed to be fun but takes on greater dimension; and troubles for John-Boy with a femme fatale and Boatwright's flawed honor code. --Tom Keogh

While John-Boy stands up to popular opinion, brother Jason (Jon Walmsley), a talented musician, has to take a job playing piano at a roadhouse to make up for the loss of his college scholarship. The decision doesn't go down too well with the Walton women, but Jason's presence at the Dew Drop Inn allows for some interesting scenes over the course of the season, none more so than the unexpected visit of a fire-and-brimstone evangelist in "The Baptism." In that same show, father John Walton, played by Ralph Waite, notorious in his Christian community for eschewing church services, faces renewed pressure from wife Olivia (Michael Learned) to accept her faith, making for one of the most interesting episodes of the season. Meanwhile, John-Boy’s sister, Mary Ellen (Judy Norton), is wooed by a couple of different men and hears wedding bells with one of them. She also pursues her nursing degree and misdiagnoses an ailment of Grandma Esther (Ellen Corby), resulting in long-term hospitalization and no end of grief for Grandpa Zeb (Will Geer). The other, increasingly restless Walton boys and girls grab their share of the spotlight, too, but The Complete Fifth Season is, once again, John-Boy's year, capped by dramatic developments in his career and vision of himself. --Tom Keogh