Biological Sciences in The Books Store

"Pop-up books aren't just for kids anymore! This multimedia experience transports you to seven natural habitats in North America and immerses you in the birds and their songs. --Greg Butcher, director of bird conservation, National Audubon Society

"Birdscapes is a delight for the eyes and the ears--a tour of North America's bird-rich ecosystems, rendered as seven lavishly detailed, three-dimensional landscapes, and brimming with choruses of authentic bird songs and calls." --Scott Weidensaul, author of Living on the Wind and Of a Feather

An Interview with Miyoko Chu, Director of Communications at the Cornell Lab of Ornithology

Q: When did you first become interested in birds?

A: When I was 11, my father and I rescued some pigeons from a poultry truck in San Francisco's Chinatown. I spent a lot of time in the backyard coop, watching the pigeons as they courted and raised their young. It was amazing to realize all this drama was playing out with wild birds everywhere, too, and to have the opportunity to study it.

Q: What's your favorite bird song and why?

A: My favorite song is that of the Scott’s Oriole, featured in the desert scene of Birdscapes. Hearing that clear, bubbling melody in the desert is an unforgettable experience.

Q: What was the best thing about working on Birdscapes?

A: It was exciting to go from the ideas and bird lists for each soundscape to seeing and hearing this three-dimensional product as it emerged from the minds of the artists, editors, and sound engineers. It was incredible to see the artists' sketches transform into complex and ingenious pop-up scenes, and to experience how precise recordings for each bird were blended to evoke the soundscape.

Q: Have you visited all of the seven different bird habitats featured in Birdscapes?

A: Of the seven habitats, I'm most familiar with the desert, where I studied birds during 1995-2000, and the eastern deciduous forest, which is right outside my office window. I have visited the Great Plains and Pacific evergreen forests. I have not been to the Arctic, a southern swamp, or a seabird colony. In writing those scenes, I benefited from the insights of my colleague Gerrit Vyn, the Cornell Lab of Ornithology’s audio production engineer, who selected the recordings, including some that he had recorded on recent expeditions to these habitats.

Q: Which habitat in Birdscapes did you enjoy writing about the most and why?

A: Actually, there were two that I enjoyed the most--for completely opposite reasons! I loved writing about the desert because I had spent so much time there, and remembered the sights and sounds so vividly. And it was great fun to write about the seabird colony because that was something I had never experienced before—and I was completely surprised by what I learned. Whether an individual seabird's voice or thousands, the sounds are awe-inspiring, and the birds have such an interesting lifestyle as they all cram on to a bit of rock for the breeding season.

Q: Are you a daily birder or a weekend birder?

A: I'm an opportunistic birder! I'm always watching and listening for birds around my house and neighborhood. But in between work and spending time with my family, my focused birding these days happens irregularly, on the spur of the moment. My office at the Cornell Lab of Ornithology overlooks Sapsucker Woods, so I sometimes slip outside to look for birds after getting an email alert about a good migration day, or when I notice people outside my window pointing up at the trees.

Q: Do you have any suggestions for beginning birders?

A: Invest in a pair of binoculars and practice becoming comfortable with them. It will open up a whole new world, enabling you to see many more birds than you may have even realized were around you before. Spend time getting to know the different kinds of birds you see, the reasons for their behaviors, and the many kinds of sounds they use throughout the year.

Excerpts from Birdscapes

Click on each image below to see a larger view of the page.

More to Explore

Bird Songs: 250 North American Birds in Song

Bird Songs From Around the World

The Backyard Birdsong Guide: Eastern and Central North America

The Backyard Birdsong Guide: Western North America

Shreve threw away her cell phone and took to the rules of the land, adjusting to a lifestyle that was a near antithesis to that of the urban jungle. Time is of a different essence, nature is both livelihood and enemy, deer and coyote mark the dawn and dusk. After she met a local cowboy by chance on the side of the road, first a friendship and then a romance blossomed between them.

When Shreve was unexpectedly presented with a ten-day-old coyote pup whose parents had been shot for killing sheep, she had a choice to make. Despite her reservations and the terror of her tomcat Eli, Shreve decided to do the unthinkable -- to raise the coyote pup she came to call Charlie in her 12 12-foot log cabin.

In making his point, Pollan focuses on the relationship between humans and four specific plants: apples, tulips, marijuana, and potatoes. He uses the history of John Chapman (Johnny Appleseed) to illustrate how both the apple's sweetness and its role in the production of alcoholic cider made it appealing to settlers moving west, thus greatly expanding the plant's range. He also explains how human manipulation of the plant has weakened it, so that "modern apples require more pesticide than any other food crop." The tulipomania of 17th-century Holland is a backdrop for his examination of the role the tulip's beauty played in wildly influencing human behavior to both the benefit and detriment of the plant (the markings that made the tulip so attractive to the Dutch were actually caused by a virus). His excellent discussion of the potato combines a history of the plant with a prime example of how biotechnology is changing our relationship to nature. As part of his research, Pollan visited the Monsanto company headquarters and planted some of their NewLeaf brand potatoes in his garden--seeds that had been genetically engineered to produce their own insecticide. Though they worked as advertised, he made some startling discoveries, primarily that the NewLeaf plants themselves are registered as a pesticide by the EPA and that federal law prohibits anyone from reaping more than one crop per seed packet. And in a interesting aside, he explains how a global desire for consistently perfect French fries contributes to both damaging monoculture and the genetic engineering necessary to support it.

Often imitated, never duplicated.

• New! Lay-flat binding makes coloring easier.
• New! 8 plates have been added: Accessory Structures of the Skin, Temporomandibular Joint, Upper Limb: Shoulder (Glenohumeral) Joint, Upper Limb: Elbow Joints, Lower Limb: Male and female Pelves, Lower Limb: Sacroiliac and Hip Joints, Lower Limb: Knee Joints, Somatic Visceral Receptors.
• New! 7 additional sections: Skeletal and Articular Systems, Skeletal Muscular System, Central Nervous System, Central Nervous System: Cavities and Coverings, Peripheral Nervous System, Autonomic Nervous System, Human Development.

For over 23 years, The Anatomy Coloring Book has been the leading human anatomy coloring book, offering concisely written text and precise, extraordinary hand-drawn figures. Organized according to body systems, each of the 170 plates featured in this book includes an ingenious color-key system anatomical terminology is linked to detail illustration of the structures of the body.

Wynn Kapit graduated in 1955 from the University of Miami, Florida with honors in Business Administration and Law. He then attended Art Center School in Los Angeles and worked in New York as a graphic designer and advertising art director from 1960-66. He moved to California to pursue a painting career and was given a one-man show at the Legion of Honor in San Francisco in 1968. He then attended the University of California at Berkeley and received a Masters in Painting and worked as a portraitist and teacher of figure drawing.

While taking a class in human anatomy at San Francisco City College, he discovered a way to effectively learn the subject by coloring in drawings, diagrams and names. The teacher of the course, Lawrence Elson, Ph.D. agreed to help him produce a coloring book. Elson wrote and Kapit designed and illustrated The Anatomy Coloring Book, which was published in 1977 and has been a widely-translated bestseller ever since. The Physiology Coloring Book was published in 1987, with the assistance of two professors from Berkeley: Robert Macey and Esmail Meisami. The Geography Coloring Book was published in 1991; Kapit drew the maps and wrote the text. The Anatomy Coloring Book was published in a second edition in 1993, and second editions of Geography and Physiology Coloring Books will be published in 1997.

Lawrence M. Elson received his undergraduate degree from the University of California, Berkeley in Zoology (Pre-Med), and completed his graduate and Ph.D. work in Human Anatomy also at the University of California, Berkeley. Elson has served as an instructor in human anatomy at the City College of San Francisco, an assistant professor of anatomy at Baylor College of Medicine, and as a lecturer at numerous additional universities and professional organizations.

Elson is the founder and president of Coloring Concepts, Inc. (CCI), producer and packager of college level, educational, scientific directed-coloring texts. He is the author/co-author of the Anatomy Coloring Book, Human Brain Coloring Book, Zoology Coloring Book, and Microbiology Coloring Book.

Presently, he is principally functioning as a clinical and forensic anatomist retained as a consultant to governments, provinces, insurance and other corporations, and law firms on causation of injury issues in cases in or anticipated to be involved in litigation.

Future plans include expanding CCI by developing new titles in the physical sciences and other education-related disciplines.