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  Icarus at the Edge of Time

 
Icarus at the Edge of Time under General in The Books Store
Price: $19.95
Sale: $12.26
 
Manufacturer: Knopf
Number of Items: 1
 
 
Binding: Board book
Author: Brian Greene
Publisher: Knopf
Edition: 1 Brdbk
Dewey Decimal Number: 813.6
Publication Date: 2008-09-02
Reading Level: 34
 
Description:

Product Description
From one of America's leading physicists--a moving and visually stunning futuristic re-imagining of the Icarus fable written for kids and those journeying with them toward a deeper appreciation of the cosmos.

With a minimum of words set on 34 full color boardbook pages, Icarus travels not to the sun, but to a black hole, and in so doing poignantly dramatizes one of Einstein's greatest insights.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom.

An Interview with Author Brian Greene

Q: After writing two big four-hundred-plus page bestselling books, what made you decide to write an illustrated book for all ages?
A: There's an emotional side to science which the general public rarely experiences. When Einstein's calculations in 1916 showed that his new general theory of relativity could explain strange aspects of the planet Mercury's motion, he experienced--by his own description--heart palpitations. He'd revealed a fundamental cosmic truth and it filled him with awe and reverie. Yet, by contrast, in the public sphere science is still largely viewed as merely a cold body of knowledge. To many people, science is aloof, distant, abstract. I remember, some years back, reading a poem of Whitman’s about an astronomy student who grows tired and frustrated by his professor's teachings, and blissfully leaves the class to go outside, look skyward, and simply experience the wonderment of the star filled heavens. There are many for whom this poem would resonate. This highlights for me the need for people to connect with science in a new way--outside of the classroom and beyond the textbooks. My two previous books tried to make some heady ideas of modern physics widely available, and they did this through straightforward exposition. In Icarus At The Edge Of Time, my intention is to open a different kind of avenue onto science--a more visceral, more emotional side that a fictional narrative more readily accesses.

Q: Where did the idea to re-imagine the Icarus legend (set in outer space and involving black holes!) come from?
A: I recently told my two and a half year old son a bedtime story that involved space travelers moving near the speed of light. Within days he was telling his own animated stories of dinosaurs and monsters outrunning a new and wonderful concept--"the speed of dark." Which got me thinking. Storytelling is our most basic and powerful means of communication. We listen with a different kind of intensity--and open ourselves most fully--to a gripping tale. So why not allow some of science’s greatest wonders to be experienced not through pedagogy but through the force of narrative? Science in fiction, as opposed to science fiction. Scientific insights that are absorbed rather than studied. Icarus At The Edge Of Time is my first attempt to explore this terrain. Instead of a journey near the sun--a "light" star--Icarus heads to a black hole--a "dark" star. And then the wonders of Einstein's relativity kick in, warping the more familiar ending into a painful conclusion, to be sure, but perhaps one that's more hopeful than the original.

Q: The story of Icarus is a cautionary tale, what do you think it has to say when applied (as it is here) to the nature of scientific exploration of the universe?
A: Great scientists are great adventurers, boldly exploring unknown terrain--"anxiously searching" as Einstein once put it "for a truth one feels but cannot find, until final emergence into the light." Icarus's fearlessness fits this profile to a "T". But there's another side to scientific exploration. Scientific research has the capacity to reveal realms that turn the status quo on its head. And when this happens, we're often not prepared--as a society we're often not sufficiently mature--to take on the responsibility that such new realms can require.

From nuclear knowledge to stem cells, from global climate change to cloning, science not only opens up new vistas but confronts us with profound challenges. In this new version of the Icarus tale, Icarus's unrestrained explorations take him, literally, to a startling new realm--one in which the universe as he knew it becomes forever beyond his reach. We can imagine him maturing into his new life and experience, but we also feel the wrenching pain of his being torn from his familiar reality--and from his family--and entering a completely new world--the very process of maturation we collectively navigate as science rewrites the rules of what's possible.

Q: Who do you see as the audience for this book?
A: The intended audience is broad. While I've found that science-enthusiasts get a big kick out of the story (it's not often that general relativity is the lynch pin in a narrative!), I wrote the story with two kinds of imaginary readers looking over my shoulder--adults who don't generally have much contact with science, and kids who love a short adventure story.

Q: Since the writing of your last book you have become a father. How has fatherhood impacted you as a writer?
A: I feel a stronger urge to go beyond a connection with readers that's purely intellectual. The intellectual side is critical of course. But I think you communicate far more effectively if you can engage the reader on multiple levels. I've always felt this way. But I now experience it everyday--all the time--with my son, and also my one-year-old daughter. Fatherhood has heightened my recognition that to communicate you need an emotional link.

Q: Your passion for science and making it come alive for people of all ages is well known--as evidenced through your founding of The World Science Festival and also in a recent New York Times op-ed in which you wrote about "the powerful role science can play in giving life context and meaning," and stated, "It's the birthright of every child, it's a necessity for every adult, to look out on the world . . . and see that the wonder of the cosmos transcends everything that divides us." How do you feel about the way Science is taught in most schools today and what would be the biggest changes you would recommend?
A: We need to get beyond the urge--however important--of merely teaching kids the results of science, the methods of science. We need to communicate the stories of science. If a kid thinks of science as a subject taught in a classroom, we've failed. Kids need to think of science as the greatest of adventure stories as we've sought to understand ourselves and the universe around us. Kids need to recognize that science is a perspective, a way of life--it's something you hold with you long, long after you leave the classroom.

Q: What were some of the books that most inspired your passion for Science?
A: When I was really young, it wasn't actually books that inspired me. It was great teachers. From my dad (a self-educated high-school drop-out) to a couple of public school teachers where I grew up in New York City, I was fortunate to be surrounded by people who knew how to nurture and excite a young mind.

Q: So do you think anyone will ever actually find out what happens at the center of a black hole?
A: Absolutely. But not by jumping in.

Q: Is it a challenge, as a physicist and mathematician to write in a way that everyone understands?
A: It is a challenge, but for me its both a useful and exciting one. I find that translating cutting-edge research into more familiar language forces me to strip away extraneous details and zero in on the core ideas. Often, this helps me to organize my own thoughts and has even suggested research directions. And it's exciting to see ideas that are close to my heart and those of other researchers in the field reach a wider audience. The questions we are tackling are universal, and everyone deserves the right to enjoy the progress we're making.

Q: What are black holes and what do they tell us about the nature of universe?
A: Black holes are regions of space filled with such intense gravity that anything which gets too close, even light, is unable to escape. Although Albert Einstein’s insights led to the idea of black holes, he remained skeptical about their existence. Yet, in the decades since, a wealth of astronomical observations have provided strong evidence that black holes not only exist in the cosmos, they’re commonplace.

Black holes have a profound effect on time: their gravitational force pulls on time itself, slowing its rate of passage ever more as one gets ever nearer a black hole’s edge. Because of this, black holes provide for a specific kind of time travel. Were you to hover near the edge of a black hole, time for you would pass more slowly than for everyone else who remained far away. On returning to Earth you would thus find that hundreds or even thousands of years had elapsed, depending on the size of the black hole and how close you ventured to its edge.

Scientists still haven’t figured out what happens at the very center of a black hole. Einstein’s mathematics breaks down and so provides no insight. Some scientists have suggested that a black hole’s center is where time comes to an end while others have proposed that it’s a portal to another universe. Finding the definitive answer is widely recognized as one of the great remaining challenges in our continuing quest to understand space, time and the cosmos.

Q: How close are we to really understanding the nature of the universe?
A: Sometimes I think the final theory is just around the corner. Sometimes I think such thoughts are naive. The bottom line is I don't know, but what we're learning is so startling, that in a way it doesn't matter. When or if we reach the deepest understanding, it will be a major moment for our species. But until then, making progress at unraveling the cosmos is its own reward.

Q: Where did you get the idea to illustrate this book with photos from the Hubble Space Telescope?
A: That was Chip Kidd's idea. On reading the story he immediately felt that an abstract, as opposed to literal, visual treatment would be most effective. I agreed completely. And was kind of blown away when he came up with this design. It is so simple, but so powerful.

(Photo Credit: Andrea Cross)

Designer Chip Kidd Discusses His Vision for Icarus at the Edge of Time

Q: So Chip, where did the inspiration for this design come from?
A: The genesis, if you will, of the design and art direction of Icarus at the Edge of Time represents (for me), a prime example of design challenges at its purest and most exhilarating. In the spring of 2007, Marty Asher (Brian Greene's editor at Knopf) brought me Brian's manuscript of a fable of a teenage boy-genius (Icarus) who lives on a starship heading back to Earth after a generations-long mission and, against the stern warnings of his scientist father, commandeers a sort of pod-ship to go explore a black hole. When he returns from doing so, he finds that everything he knew has changed, and he learns a devastating lesson.

The story takes place in deep space, and as I was reading it, my mind instantly flashed to those incredible images that have been beamed back from the Hubble telescope. A quick investigation into the Hubble website bore out the fact that a) these images are in the public domain, and b) you can literally download good hi-resolution files of them from the site. Honestly, this discovery made me feel good about paying my taxes for the first time in decades. Anyway, the idea was born to illustrate the text metaphorically rather than literally. Although it is a fantastic tale, Brian grounds it in very real science, so the most appropriate thing was to show actual pictures of space (which happen to be jaw-droppingly gorgeous) as opposed to having someone draw or paint them.

In that sense it became like designing the cover of Jurassic Park all over again--you start with something concrete and real (a diagram of an existing T-Rex skeleton) and apply it to a fictional conceit. So you end up with what just might be outside Icarus's window as he hurtles through space. Added to that is a graphic element that represents the approaching and receding black hole, which is literally that--a small black circle appears smack dab in the center of the second spread and slowly grows as you read the book. Then, when it's so relatively large it threatens to completely consume everything, it slowly starts shrink (as Icarus pulls the pod-craft back away from it), until by the end of the book it disappears and is replaced by the Earth. If you have trouble picturing that, you'll just have to see the book! I thank Brian for the opportunity to work on it, and urge you all to check it out. Learning scientific space-physics was never so beautiful. –CK

(Photo Courtesy of Chip Kidd)

A Look Inside Icarus at the Edge of Time
(Click on Images to Enlarge)



 

  Trickster Makes This World: Mischief, Myth, and Art

 
Trickster Makes This World: Mischief, Myth, and Art under General in The Books Store
Price: $17.00
Sale: $9.54
 
Manufacturer: North Point Press
Number of Items: 1
 
 
Binding: Paperback
Author: Lewis Hyde
Publisher: North Point Press
Dewey Decimal Number: 398
Publication Date: 1999-02-16
Reading Level: 432
 
Description:
Trickster Makes This World solidifies Lewis Hyde's reputation as, in Robert Bly's words, "the most subtle, thorough, and brilliant mythologist we now have." In it, Hyde now brings to life the playful and disruptive side of human imagination as it is embodied in trickster mythology. He first revisits the old stories--Hermes in Greece, Eshu in West Africa, Krishna in India, Coyote in North America, among others--and then holds them up against the life and work of more recent creators: Picasso, Duchamp, Ginsberg, John Cage, and Frederick Douglass. Authoritative in its scholarship, loose-limbed in its style, Trickster Makes This World ranks among the great works of modern cultural criticism.

 

  Confessions of an Ugly Stepsister: A Novel

 
Confessions of an Ugly Stepsister: A Novel under General in The Books Store
Price: $16.00
Sale: $2.48
 
Manufacturer: Harper Paperbacks
Number of Items: 1
 
 
Binding: Paperback
Author: Gregory Maguire
Publisher: Harper Paperbacks
Edition: 1st Pbk. Ed
Dewey Decimal Number: 813.54
Publication Date: 2000-10-01
Reading Level: 384
 
Description: Gregory Maguire's chilling, wonderful retelling of Cinderella is a study in contrasts. Love and hate, beauty and ugliness, cruelty and charity--each idea is stripped of its ethical trappings, smashed up against its opposite number, and laid bare for our examination. Confessions of an Ugly Stepsister begins in 17th-century Holland, where the two Fisher sisters and their mother have fled to escape a hostile England. Maguire's characters are at once more human and more fanciful than their fairy-tale originals. Plain but smart Iris and her sister, Ruth, a hulking simpleton, are dazed and terrified as their mother, Margarethe, urges them into the strange Dutch streets. Within days, purposeful Margarethe has secured the family a place in the home of an aspiring painter, where for a short time, they find happiness.

But this is Cinderella, after all, and tragedy is inevitable. When a wealthy tulip speculator commissions the painter to capture his blindingly lovely daughter, Clara, on canvas, Margarethe jumps at the chance to better their lot. "Give me room to cast my eel spear, and let follow what may," she crows, and the Fisher family abandons the artist for the upper-crust Van den Meers.

When Van den Meer's wife dies during childbirth, the stage is set for Margarethe to take over the household and for Clara to adopt the role of "Cinderling" in order to survive. What follows is a changeling adventure, and of course a ball, a handsome prince, a lost slipper, and what might even be a fairy godmother. In a single magic night, the exquisite and the ugly swirl around in a heated mix:

Everything about this moment hovers, trembles, all their sweet, unreasonable hopes on view before anything has had the chance to go wrong. A stepsister spins on black and white tiles, in glass slippers and a gold gown, and two stepsisters watch with unrelieved admiration. The light pours in, strengthening in its golden hue as the sun sinks and the evening approaches. Clara is as otherworldly as the Donkeywoman, the Girl-Boy. Extreme beauty is an affliction...
But beyond these familiar elements, Maguire's second novel becomes something else altogether--a morality play, a psychological study, a feminist manifesto, or perhaps a plain explanation of what it is to be human. Villains turn out to be heroes, and heroes disappoint. The story's narrator wryly observes, "In the lives of children, pumpkins can turn into coaches, mice and rats into human beings. When we grow up, we learn that it's far more common for human beings to turn into rats." --Therese Littleton

 

  The Hero with a Thousand Faces (Bollingen Series)

 
The Hero with a Thousand Faces (Bollingen Series) under General in The Books Store
Price: $21.95
Sale: $13.10
 
Manufacturer: New World Library
Number of Items: 1
 
 
Binding: Hardcover
Author: Joseph Campbell
Publisher: New World Library
Edition: Third
Dewey Decimal Number: 201.3
Publication Date: 2008-07-28
Reading Level: 440
 
Description: Originally written by Campbell in the '40s-- in his pre-Bill Moyers days -- and famous as George Lucas' inspiration for "Star Wars," this book will likewise inspire any writer or reader in its well considered assertion that while all stories have already been told, this is *not* a bad thing, since the *retelling* is still necessary. And while our own life's journey must always be ended alone, the travel is undertaken in the company not only of immediate loved ones and primal passion, but of the heroes and heroines -- and myth-cycles -- that have preceded us.

 

  Women Who Run with the Wolves

 
Women Who Run with the Wolves under General in The Books Store
Price: $7.99
Sale: $4.01
 
Manufacturer: Ballantine Books
Number of Items: 1
 
 
Binding: Mass Market Paperback
Author: Clarissa Pinkola Estes
Publisher: Ballantine Books
Dewey Decimal Number: 398.082
Publication Date: 1996-11-27
Reading Level: 608
 
Description: UPDATED, WITH NEW MATERIAL BY THE AUTHOR"WOMEN WHO RUN WITH THE WOLVES isn't just another book. It is a gift of profound insight, wisdom, and love. An oracle from one who knows."--Alice WalkerWithin every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. In WOMEN WHO RUN WITH THE WOLVES, Dr. Estés unfolds rich intercultural myths, fairy tales, and stories, many from her own family, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul."This volume reminds us that we are nature for all our sophistication, that we are still wild, and the recovery of that vitality will itself set us right in the world."--Thomas Moore Author of Care of the Soul"I am grateful to WOMEN WHO RUN WITH THE WOLVES and to Dr. Clarissa Pinkola Estés. The work shows the reader how glorious it is to be daring, to be caring, and to be women. Everyone who can read should read this book."--Maya Angelou"An inspiring book, the 'vitamins for the soul' [for] women who are cut off from their intuitive nature."--San Francisco Chronicle"Stands out from the pack . . . A joy and sparkle in [the] prose . . . This book will become a bible for women interested in doing deep work. . . . It is a road map of all the pitfalls, those familiar and those horrifically unexpected, that a woman encounters on the way back to her instinctual self. Wolves . . . is a gift."--Los Angeles Times"A mesmerizing voice . . . Dramatic storytelling she learned at the knees of her [immigrant] aunts."--Newsweek

 

  The Power of Myth

 
The Power of Myth under General in The Books Store
Price: $14.95
Sale: $6.96
 
Manufacturer: Anchor
Number of Items: 1
 
 
Binding: Paperback
Author: Joseph Campbell
Publisher: Anchor
Dewey Decimal Number: 291.13
Publication Date: 1991-06-01
Reading Level: 293
 
Description: Among his many gifts, Joseph Campbell's most impressive was the unique ability to take a contemporary situation, such as the murder and funeral of President John F. Kennedy, and help us understand its impact in the context of ancient mythology. Herein lies the power of The Power of Myth, showing how humans are apt to create and live out the themes of mythology. Based on a six-part PBS television series hosted by Bill Moyers, this classic is especially compelling because of its engaging question-and-answer format, creating an easy, conversational approach to complicated and esoteric topics. For example, when discussing the mythology of heroes, Campbell and Moyers smoothly segue from the Sumerian sky goddess Inanna to Star Wars' mercenary-turned-hero, Han Solo. Most impressive is Campbell's encyclopedic knowledge of myths, demonstrated in his ability to recall the details and archetypes of almost any story, from any point and history, and translate it into a lesson for spiritual living in the here and now. --Gail Hudson

 

  Till We Have Faces: A Myth Retold

 
Till We Have Faces: A Myth Retold under General in The Books Store
Price: $14.00
Sale: $7.71
 
Manufacturer: Harcourt Brace & Company
Number of Items: 1
 
 
Binding: Paperback
Author: C.S. Lewis
Publisher: Harcourt Brace & Company
Dewey Decimal Number: 823.912
Publication Date: 1980-07-09
Reading Level: 324
 
Description:
This tale of two princesses - one beautiful and one unattractive - and of the struggle between sacred and profane love is Lewis’s reworking of the myth of Cupid and Psyche and one of his most enduring works.

 

  The Claiming of Sleeping Beauty

 
The Claiming of Sleeping Beauty under General in The Books Store
Price: $15.00
Sale: $7.44
 
Manufacturer: Plume
Number of Items: 1
 
 
Binding: Paperback
Author: A. N. Roquelaure::Anne Rice
Publisher: Plume
Dewey Decimal Number: 813.54
Publication Date: 1999-05-01
Reading Level: 272
 
Description: Rice writing as A. N. Roquelaure.

In the traditional folk tale "Sleeping Beauty," the spell cast upon the lovely young princess and everyone in her castle can only be broken by the kiss of a Prince. Anne Rice's retelling of the Beauty story probes the unspoken implications of this lush, suggestive tale by exploring its undeniable connection to sexual desire.

 

  A Treasury of Christmas Miracles: True Stories of God's Presence Today (Miracle Books Collection)

 
A Treasury of Christmas Miracles: True Stories of God's Presence Today (Miracle Books Collection) under General in The Books Store
Price: $13.99
Sale: $8.01
 
Manufacturer: FaithWords
Number of Items: 1
 
 
Binding: Hardcover
Author: Karen Kingsbury
Publisher: FaithWords
Dewey Decimal Number: 242.335
Publication Date: 2007-09-26
Reading Level: 176
 
Description: This collection of true stories from bestselling author Karen Kingsbury celebrates the mystery and wonder of Christmastime.

A chance encounter that changes everything . . . help that appears from nowhere . . . kindness when it's least expected . . . We've all experienced miracles in our lives. Now Karen Kingsbury has collected a series of real-life stories about people whose lives were changed by the mystery and wonder of Christmastime. In each of these stories, Karen brings undeniable proof of God's presence in our lives. And with an uplifting voice, she gives us a joyous reminder of the true meaning of Christmas: the greatest miracle of all is opening our hearts to love.

 

  Mirror Mirror: A Novel

 
Mirror Mirror: A Novel under General in The Books Store
Price: $16.00
Sale: $4.99
 
Manufacturer: Harper Paperbacks
Number of Items: 1
 
 
Binding: Paperback
Author: Gregory Maguire
Publisher: Harper Paperbacks
Dewey Decimal Number: 813.54
Publication Date: 2004-10-01
Reading Level: 320
 
Description:

The year is 1502, and seven-year-old Bianca de Nevada lives perched high above the rolling hills and valleys of Tuscany and Umbria at Montefiore, the farm of her beloved father, Don Vicente. But one day a noble entourage makes its way up the winding slopes to the farm -- and the world comes to Montefiore.

In the presence of Cesare Borgia and his sister, the lovely and vain Lucrezia -- decadent children of a wicked pope -- no one can claim innocence for very long. When Borgia sends Don Vicente on a years-long quest, he leaves Bianca under the care -- so to speak -- of Lucrezia.

She plots a dire fate for the young girl in the woods below the farm, but in the dark forest salvation can be found as well ...

A lyrical work of stunning creative vision, Mirror Mirror gives fresh life to the classic story of Snow White -- and has a truth and beauty all its own.


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