World in The Books Store

"At the most chaotic juncture in Iraq'' civil war, a new law is unveiled that will allow Shell and BP to claim the country's vast oil reserves… Immediately following September 11, the Bush Administration quietly outsources the running of the 'War on Terror' to Halliburton and Blackwater… After a tsunami wipes out the coasts of Southeast Asia, the pristine beaches are auctioned off to tourist resorts… New Orleans residents, scattered from Hurricane Katrina, discover that their public housing, hospitals and schools will never be re-opened." Klein not only kicks butt, she names names, notably economist Milton Friedman and his radical Chicago School of the 1950s and 60s which she notes "produced many of the leading neo-conservative and neo-liberal thinkers whose influence is still profound in Washington today." Stand up and take a bow, Donald Rumsfeld.

What Friedman means by "flat" is "connected": the lowering of trade and political barriers and the exponential technical advances of the digital revolution that have made it possible to do business, or almost anything else, instantaneously with billions of other people across the planet. This in itself should not be news to anyone. But the news that Friedman has to deliver is that just when we stopped paying attention to these developments--when the dot-com bust turned interest away from the business and technology pages and when 9/11 and the Iraq War turned all eyes toward the Middle East--is when they actually began to accelerate. Globalization 3.0, as he calls it, is driven not by major corporations or giant trade organizations like the World Bank, but by individuals: desktop freelancers and innovative startups all over the world (but especially in India and China) who can compete--and win--not just for low-wage manufacturing and information labor but, increasingly, for the highest-end research and design work as well. (He doesn't forget the "mutant supply chains" like Al-Qaeda that let the small act big in more destructive ways.)

Friedman has embraced this flat world in his own work, continuing to report on his story after his book's release and releasing an unprecedented hardcover update of the book a year later with 100 pages of revised and expanded material. What's changed in a year? Some of the sections that opened eyes in the first edition--on China and India, for example, and the global supply chain--are largely unaltered. Instead, Friedman has more to say about what he now calls "uploading," the direct-from-the-bottom creation of culture, knowledge, and innovation through blogging, podcasts, and open-source software. And in response to the pleas of many of his readers about how to survive the new flat world, he makes specific recommendations about the technical and creative training he thinks will be required to compete in the "New Middle" class. As before, Friedman tells his story with the catchy slogans and globe-hopping anecdotes that readers of his earlier books and his New York Times columns know well, and he holds to a stern sort of optimism. He wants to tell you how exciting this new world is, but he also wants you to know you're going to be trampled if you don't keep up with it. A year later, one can sense his rising impatience that our popular culture, and our political leaders, are not helping us keep pace. --Tom Nissley

Where Were You When the World Went Flat?

Thomas L. Friedman's reporter's curiosity and his ability to recognize the patterns behind the most complex global developments have made him one of the most entertaining and authoritative sources for information about the wider world we live in, both as the foreign affairs columnist for the New York Times and as the author of landmark books like From Beirut to Jerusalem and The Lexus and the Olive Tree. They also make him an endlessly fascinating conversation partner, and we've now had the chance to talk to him about The World Is Flat twice. Read our original interview with him following the publication of the first edition of The World Is Flat to learn why there's almost no one from Washington, D.C., listed in the index of a book about the global economy, and what his one-plank platform for president would be. (Hint: his bumper stickers would say, "Can You Hear Me Now?")

And now you can listen to our second interview, in which he talks about the updates he's made in "The World Is Flat 2.0," including his response to parents who said to him, "Great, Mr. Friedman, I'm glad you told us the world is flat. Now what do I tell my kids?"

The Essential Tom Friedman

From Beirut to Jerusalem

The Lexus and the Olive Tree

Longitudes and Attitudes

More on Globalization and Development

Take Ross's description of Schoenberg's Second Quartet, "in which he hesitates at a crossroads, contemplating various paths forming in front of him. The first movement, written the previous year, still uses a fairly conventional late-Romantic language. The second movement, by contrast, is a hallucinatory Scherzo, unlike any other music at the time. It contains fragments of the folk song 'Ach, du lieber Augustin'--the same tune that held Freudian significance for Mahler. For Schoenberg, the song seems to represent a bygone world disintegrating; the crucial line is 'Alles ist hin' (all is lost). The movement ends in a fearsome sequence of four-note figures, which are made up of fourths separated by a tritone. In them may be discerned traces of the bifurcated scale that begins Salome. But there is no longer a sense of tonalities colliding. Instead, the very concept of a chord is dissolving into a matrix of intervals."

A magisterial work of narrative history, hailed in Britain as “the best one-volume account of the British Empire” and “an outstanding book” (The Times Literary Supplement).

After the American Revolution, the British Empire appeared to be doomed. But over the next 150 years it grew to become the greatest and most diverse empire the world has ever seen—ranging from Canada to Australia to China, India, and Egypt—seven times larger than the Roman Empire at its apogee. Britannia ruled the waves and a quarter of the earth.

Yet it was also a fundamentally weak empire, as Piers Brendon shows in this vivid and sweeping chronicle. Run from a tiny island base, the British Empire operated on a shoestring with the help of local elites. It enshrined a belief in freedom that would fatally undermine its authority. Spread too thin, and facing wars, economic crises, and domestic discord, the empire would vanish almost as quickly as it appeared.

Within a generation, the mighty structure collapsed, sometimes amid bloodshed. This rapid demise left unfinished business in Rhodesia, the Falklands, and Hong Kong. It left an array of dependencies and a ghost of an empire overshadowed by a rising America. Above all, it left a contested legacy: at best, a sporting spirit, a legal code, and a near-universal language; at worst, failed states and internecine strife.

Brendon tells this story with brio and brilliance; covering a vast canvas, he fills it with vivid firsthand accounts of life in the colonies and intimate portraits of the sometimes eccentric British officials who administered them. It is all here—from brief lives to telling anecdotes to comic episodes to symbolic moments. Panoramic in scope and riveting in detail, this is narrative history at its finest.

History is . . .
(a) more or less bunk.
(b) a nightmare from which I am trying to awaken.
(c) as thoroughly infected with lies as a street whore with syphilis.

Match your answers:
(1) Stephen Daedalus of James Joyce's Ulysses
(2) Henry Ford
(3) Arthur Schopenhauer

It turns out that answer need not be bunk, nightmarish, or diseased. In the hands of mental_floss, history's most interesting bits have been handpicked and roasted to perfection. Packed with little-known stories and outrageous—but accurate—facts, you'll laugh yourself smarter on this joyride through 60,000 years of human civilization. Remember: just because it's true, doesn't mean it's boring!