Potato Famine in The Books Store

Oddly enough, it's history--her own, and Ireland's--that brings Kathleen back to life. Shattered by a close friend's death, she leaves her job and London to immerse herself in a 150-year-old divorce case. In 1849, according to court documents, the Anglo-Irish landowner Richard Talbot divorced his wife because she committed adultery with their ragged Irish groom. Or did she? The book Kathleen imagines writing about the affair is a classic tale of passion--yet her research turns up a more complicated story, even as love once again makes inroads into her own life.

My Dream of You shares some of the same preoccupations as O'Faolain's bestselling memoir Are You Somebody?: a distant and loveless family life, the plight of Irish women. But it's the historical narrative that gives Kathleen's story both context and shape, juxtaposing the affair inside the demesne walls with the famine outside. The excerpts from her "Talbot Book" are searing in their intensity, studded with images of great beauty and unimaginable suffering. Some readers might in fact wish the book's balance tipped even further in the Talbot direction. Then, however, we might miss the author's heartbreakingly nuanced portrait of Kathleen's loneliness:

It was never real excitement that got you into bed; it was hope, like some stubborn underground weed. Look at the way you've believed every time, at the first brush of a hand across a breast, that the roof over your life was sliding back and a dazzling, starry firmament was just coming into view.

Western Ireland rejoiced in October 1844 because the potato crop was the best it had been. But by the next year, the Irish would see the potato blight destroy the crops and thousands will die of starvation. Soon a great migration to America would begin as the hopelessness of the situation finally sinks in. In this fourth and final book of the Galway Chronicles, the story of Kate, Joseph, and the inhabitants of the village of Ballyknockanor continues with Joseph's dramatic return to his estate and the beginning of the terrible years of the Irish potato famine.

In Feed the Children First, Mary E. Lyons combines first-person accounts of those who remembered the Great Hunger with artwork that evokes the times and places and voices themselves. The result is a close-up look at incredible suffering, but also a celebration of joy the Irish took in stories and music and helping one another -- all factors that helped them endure.