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Displaying records 1 through 10 of 4000 |
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Price: $19.95
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Sale: $12.33
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Manufacturer: Knopf
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Number of Items: 1
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Binding: Board book
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Author: Brian Greene
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Publisher: Knopf
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Edition: 1 Brdbk
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Dewey Decimal Number: 813.6
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Publication Date: 2008-09-02
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Reading Level: 34
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Description: Product Description
From one of America's leading physicists--a moving and visually stunning futuristic re-imagining of the Icarus fable written for kids and those journeying with them toward a deeper appreciation of the cosmos. With a minimum of words set on 34 full color boardbook pages, Icarus travels not to the sun, but to a black hole, and in so doing poignantly dramatizes one of Einstein's greatest insights. Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom. Unlike anything Brian Greene has previously written, Icarus at the Edge of Time uses the power of story, not pedagogy, to communicate viscerally one small part of the strange reality that has emerged from modern physics. Designed by Chip Kidd, with spectacular images from the Hubble Space Telescope, it's a short story that speaks to curiosity and wisdom in a universe we've only begun to fathom. An Interview with Author Brian Greene
 Q: After writing two big four-hundred-plus page bestselling books, what made you decide to write an illustrated book for all ages?
A: There's an emotional side to science which the general public rarely experiences. When Einstein's calculations in 1916 showed that his new general theory of relativity could explain strange aspects of the planet Mercury's motion, he experienced--by his own description--heart palpitations. He'd revealed a fundamental cosmic truth and it filled him with awe and reverie. Yet, by contrast, in the public sphere science is still largely viewed as merely a cold body of knowledge. To many people, science is aloof, distant, abstract. I remember, some years back, reading a poem of Whitman’s about an astronomy student who grows tired and frustrated by his professor's teachings, and blissfully leaves the class to go outside, look skyward, and simply experience the wonderment of the star filled heavens. There are many for whom this poem would resonate. This highlights for me the need for people to connect with science in a new way--outside of the classroom and beyond the textbooks. My two previous books tried to make some heady ideas of modern physics widely available, and they did this through straightforward exposition. In Icarus At The Edge Of Time, my intention is to open a different kind of avenue onto science--a more visceral, more emotional side that a fictional narrative more readily accesses.
Q: Where did the idea to re-imagine the Icarus legend (set in outer space and involving black holes!) come from?
A: I recently told my two and a half year old son a bedtime story that involved space travelers moving near the speed of light. Within days he was telling his own animated stories of dinosaurs and monsters outrunning a new and wonderful concept--"the speed of dark." Which got me thinking. Storytelling is our most basic and powerful means of communication. We listen with a different kind of intensity--and open ourselves most fully--to a gripping tale. So why not allow some of science’s greatest wonders to be experienced not through pedagogy but through the force of narrative? Science in fiction, as opposed to science fiction. Scientific insights that are absorbed rather than studied. Icarus At The Edge Of Time is my first attempt to explore this terrain. Instead of a journey near the sun--a "light" star--Icarus heads to a black hole--a "dark" star. And then the wonders of Einstein's relativity kick in, warping the more familiar ending into a painful conclusion, to be sure, but perhaps one that's more hopeful than the original.
Q: The story of Icarus is a cautionary tale, what do you think it has to say when applied (as it is here) to the nature of scientific exploration of the universe?
A: Great scientists are great adventurers, boldly exploring unknown terrain--"anxiously searching" as Einstein once put it "for a truth one feels but cannot find, until final emergence into the light." Icarus's fearlessness fits this profile to a "T". But there's another side to scientific exploration. Scientific research has the capacity to reveal realms that turn the status quo on its head. And when this happens, we're often not prepared--as a society we're often not sufficiently mature--to take on the responsibility that such new realms can require.
From nuclear knowledge to stem cells, from global climate change to cloning, science not only opens up new vistas but confronts us with profound challenges. In this new version of the Icarus tale, Icarus's unrestrained explorations take him, literally, to a startling new realm--one in which the universe as he knew it becomes forever beyond his reach. We can imagine him maturing into his new life and experience, but we also feel the wrenching pain of his being torn from his familiar reality--and from his family--and entering a completely new world--the very process of maturation we collectively navigate as science rewrites the rules of what's possible.
Q: Who do you see as the audience for this book?
A: The intended audience is broad. While I've found that science-enthusiasts get a big kick out of the story (it's not often that general relativity is the lynch pin in a narrative!), I wrote the story with two kinds of imaginary readers looking over my shoulder--adults who don't generally have much contact with science, and kids who love a short adventure story.
Q: Since the writing of your last book you have become a father. How has fatherhood impacted you as a writer?
A: I feel a stronger urge to go beyond a connection with readers that's purely intellectual. The intellectual side is critical of course. But I think you communicate far more effectively if you can engage the reader on multiple levels. I've always felt this way. But I now experience it everyday--all the time--with my son, and also my one-year-old daughter. Fatherhood has heightened my recognition that to communicate you need an emotional link.
Q: Your passion for science and making it come alive for people of all ages is well known--as evidenced through your founding of The World Science Festival and also in a recent New York Times op-ed in which you wrote about "the powerful role science can play in giving life context and meaning," and stated, "It's the birthright of every child, it's a necessity for every adult, to look out on the world . . . and see that the wonder of the cosmos transcends everything that divides us." How do you feel about the way Science is taught in most schools today and what would be the biggest changes you would recommend?
A: We need to get beyond the urge--however important--of merely teaching kids the results of science, the methods of science. We need to communicate the stories of science. If a kid thinks of science as a subject taught in a classroom, we've failed. Kids need to think of science as the greatest of adventure stories as we've sought to understand ourselves and the universe around us. Kids need to recognize that science is a perspective, a way of life--it's something you hold with you long, long after you leave the classroom.
Q: What were some of the books that most inspired your passion for Science?
A: When I was really young, it wasn't actually books that inspired me. It was great teachers. From my dad (a self-educated high-school drop-out) to a couple of public school teachers where I grew up in New York City, I was fortunate to be surrounded by people who knew how to nurture and excite a young mind.
Q: So do you think anyone will ever actually find out what happens at the center of a black hole?
A: Absolutely. But not by jumping in.
Q: Is it a challenge, as a physicist and mathematician to write in a way that everyone understands?
A: It is a challenge, but for me its both a useful and exciting one. I find that translating cutting-edge research into more familiar language forces me to strip away extraneous details and zero in on the core ideas. Often, this helps me to organize my own thoughts and has even suggested research directions. And it's exciting to see ideas that are close to my heart and those of other researchers in the field reach a wider audience. The questions we are tackling are universal, and everyone deserves the right to enjoy the progress we're making.
Q: What are black holes and what do they tell us about the nature of universe?
A: Black holes are regions of space filled with such intense gravity that anything which gets too close, even light, is unable to escape. Although Albert Einstein’s insights led to the idea of black holes, he remained skeptical about their existence. Yet, in the decades since, a wealth of astronomical observations have provided strong evidence that black holes not only exist in the cosmos, they’re commonplace.
Black holes have a profound effect on time: their gravitational force pulls on time itself, slowing its rate of passage ever more as one gets ever nearer a black hole’s edge. Because of this, black holes provide for a specific kind of time travel. Were you to hover near the edge of a black hole, time for you would pass more slowly than for everyone else who remained far away. On returning to Earth you would thus find that hundreds or even thousands of years had elapsed, depending on the size of the black hole and how close you ventured to its edge.
Scientists still haven’t figured out what happens at the very center of a black hole. Einstein’s mathematics breaks down and so provides no insight. Some scientists have suggested that a black hole’s center is where time comes to an end while others have proposed that it’s a portal to another universe. Finding the definitive answer is widely recognized as one of the great remaining challenges in our continuing quest to understand space, time and the cosmos.
Q: How close are we to really understanding the nature of the universe?
A: Sometimes I think the final theory is just around the corner. Sometimes I think such thoughts are naive. The bottom line is I don't know, but what we're learning is so startling, that in a way it doesn't matter. When or if we reach the deepest understanding, it will be a major moment for our species. But until then, making progress at unraveling the cosmos is its own reward.
Q: Where did you get the idea to illustrate this book with photos from the Hubble Space Telescope?
A: That was Chip Kidd's idea. On reading the story he immediately felt that an abstract, as opposed to literal, visual treatment would be most effective. I agreed completely. And was kind of blown away when he came up with this design. It is so simple, but so powerful.
(Photo Credit: Andrea Cross)
Designer Chip Kidd Discusses His Vision for Icarus at the Edge of Time
 Q: So Chip, where did the inspiration for this design come from?
A: The genesis, if you will, of the design and art direction of Icarus at the Edge of Time represents (for me), a prime example of design challenges at its purest and most exhilarating. In the spring of 2007, Marty Asher (Brian Greene's editor at Knopf) brought me Brian's manuscript of a fable of a teenage boy-genius (Icarus) who lives on a starship heading back to Earth after a generations-long mission and, against the stern warnings of his scientist father, commandeers a sort of pod-ship to go explore a black hole. When he returns from doing so, he finds that everything he knew has changed, and he learns a devastating lesson.
The story takes place in deep space, and as I was reading it, my mind instantly flashed to those incredible images that have been beamed back from the Hubble telescope. A quick investigation into the Hubble website bore out the fact that a) these images are in the public domain, and b) you can literally download good hi-resolution files of them from the site. Honestly, this discovery made me feel good about paying my taxes for the first time in decades. Anyway, the idea was born to illustrate the text metaphorically rather than literally. Although it is a fantastic tale, Brian grounds it in very real science, so the most appropriate thing was to show actual pictures of space (which happen to be jaw-droppingly gorgeous) as opposed to having someone draw or paint them.
In that sense it became like designing the cover of Jurassic Park all over again--you start with something concrete and real (a diagram of an existing T-Rex skeleton) and apply it to a fictional conceit. So you end up with what just might be outside Icarus's window as he hurtles through space. Added to that is a graphic element that represents the approaching and receding black hole, which is literally that--a small black circle appears smack dab in the center of the second spread and slowly grows as you read the book. Then, when it's so relatively large it threatens to completely consume everything, it slowly starts shrink (as Icarus pulls the pod-craft back away from it), until by the end of the book it disappears and is replaced by the Earth. If you have trouble picturing that, you'll just have to see the book! I thank Brian for the opportunity to work on it, and urge you all to check it out. Learning scientific space-physics was never so beautiful. –CK
(Photo Courtesy of Chip Kidd)
A Look Inside Icarus at the Edge of Time
(Click on Images to Enlarge)
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Price: $18.00
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Sale: $9.99
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Manufacturer: Bantam
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Number of Items: 1
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Binding: Paperback
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Author: Stephen Hawking
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Publisher: Bantam
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Edition: 10 Anv
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Dewey Decimal Number: 523.1
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Publication Date: 1998-09-01
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Reading Level: 224
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Description: Stephen Hawking, one of the most brilliant theoretical physicists in history, wrote the modern classic A Brief History of Time to help nonscientists understand the questions being asked by scientists today: Where did the universe come from? How and why did it begin? Will it come to an end, and if so, how? Hawking attempts to reveal these questions (and where we're looking for answers) using a minimum of technical jargon. Among the topics gracefully covered are gravity, black holes, the Big Bang, the nature of time, and physicists' search for a grand unifying theory. This is deep science; these concepts are so vast (or so tiny) as to cause vertigo while reading, and one can't help but marvel at Hawking's ability to synthesize this difficult subject for people not used to thinking about things like alternate dimensions. The journey is certainly worth taking, for, as Hawking says, the reward of understanding the universe may be a glimpse of "the mind of God." --Therese Littleton
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Price: $35.00
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Sale: $17.55
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Manufacturer: Firefly Books
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Number of Items: 1
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Binding: Spiral-bound
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Publisher: Firefly Books
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Edition: Enlarged 4th
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Dewey Decimal Number: 523.80223
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Publication Date: 2006-09-12
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Reading Level: 192
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Description: The third edition of Nightwatch continues its tradition of being the best handbook for the beginning astronomer. Terence Dickinson covers all the problems beginners face, starting with the fact that the night sky does not look the way a modern city-dweller expects. He discusses light pollution, how to choose binoculars and telescopes, how to pronounce the names of stars and constellations, telescope mounts, averted vision, and why the harvest moon looks especially bright. Most of the lovely photographs in the book were taken by amateurs, which gives the section on astrophotography a particularly inspirational gleam. Dickinson's star charts are very handy, each covering a reasonable field of view and mapping the most interesting amateur objects. He gives good advice for planet watching, which he notes "is one of the few astronomical activities that can be conducted almost as well from the city as from dark rural locations." Altogether, the watchword for Nightwatch is indeed "practical"--this is a book to be used, not just read. Spiral-bound to lie flat or to fold back undamaged, it's a field guide that pulls its own weight in the field. Author Timothy Ferris says, "Like a good night sky, Nightwatch is clear and wind-free. Try it and see for yourself." --Mary Ellen Curtin
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Price: $16.95
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Sale: $7.24
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Manufacturer: Vintage
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Number of Items: 1
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Binding: Paperback
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Author: Brian Greene
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Publisher: Vintage
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Dewey Decimal Number: 523.1
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Publication Date: 2005-02-08
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Reading Level: 592
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Description: As a boy, Brian Greene read Albert Camus' The Myth of Sisyphus and was transformed. Camus, in Greene's paraphrase, insisted that the hero triumphs "by relinquishing everything beyond immediate experience." After wrestling with this idea, however, Greene rejected Camus and realized that his true idols were physicists; scientists who struggled "to assess life and to experience the universe at all possible levels, not just those that happened to be accessible to our frail human senses." His driving question in The Fabric of the Cosmos, then, is fundamental: "What is reality?" Over sixteen chapters, he traces the evolving human understanding of the substrate of the universe, from classical physics to ten-dimensional M-Theory. Assuming an audience of non-specialists, Greene has set himself a daunting task: to explain non-intuitive, mathematical concepts like String Theory, the Heisenberg Uncertainty Principle, and Inflationary Cosmology with analogies drawn from common experience. For the most part, he succeeds. His language reflects a deep passion for science and a gift for translating concepts into poetic images. When explaining, for example, the inability to see the higher dimensions inherent in string theory, Greene writes: "We don't see them because of the way we see…like an ant walking along a lily pad…we could be floating within a grand, expansive, higher-dimensional space." For Greene, Rhodes Scholar and professor of physics and mathematics at Columbia University, speculative science is not always as thorough and successful. His discussion of teleportation, for example, introduces and then quickly tables a valuable philosophical probing of identity. The paradoxes of time travel, however, are treated with greater depth, and his vision of life in a three-brane universe is compelling and--to use his description for quantum reality--"weird." In the final pages Greene turns from science fiction back to the fringes of science fact, and he returns with rigor to frame discoveries likely to be made in the coming decades. "We are, most definitely, still wandering in the jungle," he concludes. Thanks to Greene, though, some of the underbrush has been cleared. --Patrick O'Kelley
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Price: $18.00
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Sale: $9.98
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Manufacturer: Bantam
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Number of Items: 1
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Binding: Paperback
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Author: Stephen Hawking::Leonard Mlodinow
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Publisher: Bantam
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Dewey Decimal Number: 523.1
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Publication Date: 2008-05-13
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Reading Level: 176
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Description: From One of the Most Brilliant Minds of Our Time
Comes a Book that Clarifies His Most Important Ideas
Stephen Hawking’s worldwide bestseller, A Brief History of Time, remains one of the landmark volumes in scientific writing of our time. But for years readers have asked for a more accessible formulation of its key concepts—the nature of space and time, the role of God in creation, and the history and future of the universe.
Professor Hawking’s response is this new work that will guide nonscientists everywhere in the ongoing search for the tantalizing secrets at the heart of time and space.…
Although “briefer,” this book is much more than a mere explanation of Hawking’s earlier work. A Briefer History of Time both clarifies and expands on the great subjects of the original, and records the latest developments in the field—from string theory to the search for a unified theory of all the forces of physics. Thirty-seven full-color illustrations enhance the text and make A Briefer History of Time an exhilarating and must-have addition in its own right to the great literature of science and ideas.
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Price: $24.95
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Sale: $15.14
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Manufacturer: Feral House
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Number of Items: 1
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Binding: Paperback
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Author: Richard C. Hoagland::Mike Bara
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Publisher: Feral House
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Edition: 1
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Dewey Decimal Number: 500
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Publication Date: 2007-10-16
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Reading Level: 550
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Description: For most Americans, the word NASA suggests a squeaky-clean image of technological infallibility. Yet the truth is that NASA was born in a lie, and has concealed the truths about its occult origins. Dark Mission documents this seemingly wild assertion. Why is the Bush administration intent on returning to the moon as quickly as possible? What are the reasons for the current “space race” with China, Russia, even India? Remarkable images reproduced within this book provided to author Richard C. Hoagland by disaffected NASA employees provide clues why, including information about suppressed lunar discoveries. Mystical organizations quietly dominate NASA, carrying out their own secret agendas behind the scenes. This is the story of men at the very fringes of rational thought and conventional wisdom, operating at the highest levels of our country. Their policies are far more aligned with ancient religions and secret mystery schools than the facade of rational science NASA has successfully promoted to the world for almost fifty years. Dark Mission is proof of the secret history of the National Aeronautics and Space Administration and the astonishing, seminal discoveries it has repeatedly suppressed for decades. Richard C. Hoagland is the former science advisor to CBS News, author of The Monuments of Mars, and a frequent guest on the popular radio programs Coast To Coast and The Art Bell Show. Mike Bara is a consulting engineer for Boeing aircraft. This is his first book.
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Price: $15.95
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Sale: $8.94
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Manufacturer: Anchor
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Number of Items: 1
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Binding: Paperback
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Author: Michio Kaku
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Publisher: Anchor
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Dewey Decimal Number: 523.1
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Publication Date: 2006-02-14
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Reading Level: 448
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Description: In this thrilling journey into the mysteries of our cosmos, bestselling author Michio Kaku takes us on a dizzying ride to explore black holes and time machines, multidimensional space and, most tantalizing of all, the possibility that parallel universes may lay alongside our own.
Kaku skillfully guides us through the latest innovations in string theory and its latest iteration, M-theory, which posits that our universe may be just one in an endless multiverse, a singular bubble floating in a sea of infinite bubble universes. If M-theory is proven correct, we may perhaps finally find answer to the question, “What happened before the big bang?” This is an exciting and unforgettable introduction into the new cutting-edge theories of physics and cosmology from one of the pre-eminent voices in the field.
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Price: $19.95
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Sale: $11.30
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Manufacturer: W. W. Norton & Company
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Number of Items: 1
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Binding: Hardcover
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Author: Brian Greene
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Publisher: W. W. Norton & Company
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Dewey Decimal Number: 539.7258
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Publication Date: 2003-10-20
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Reading Level: 464
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Description: There is an ill-concealed skeleton in the closet of physics: "As they are currently formulated, general relativity and quantum mechanics cannot both be right." Each is exceedingly accurate in its field: general relativity explains the behavior of the universe at large scales, while quantum mechanics describes the behavior of subatomic particles. Yet the theories collide horribly under extreme conditions such as black holes or times close to the big bang. Brian Greene, a specialist in quantum field theory, believes that the two pillars of physics can be reconciled in superstring theory, a theory of everything. Superstring theory has been called "a part of 21st-century physics that fell by chance into the 20th century." In other words, it isn't all worked out yet. Despite the uncertainties--"string theorists work to find approximate solutions to approximate equations"--Greene gives a tour of string theory solid enough to satisfy the scientifically literate. Though Ed Witten of the Institute for Advanced Study is in many ways the human hero of The Elegant Universe, it is not a human-side-of-physics story. Greene's focus throughout is the science, and he gives the nonspecialist at least an illusion of understanding--or the sense of knowing what it is that you don't know. And that is traditionally the first step on the road to knowledge. --Mary Ellen Curtin
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Price: $50.00
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Sale: $24.49
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Manufacturer: National Geographic
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Number of Items: 1
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Binding: Hardcover
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Author: David Devorkin::Robert Smith
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Publisher: National Geographic
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Dewey Decimal Number: 522.2919
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Publication Date: 2008-09-30
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Reading Level: 224
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Description: In the spirit of National Geographic’s top-selling Orbit, this large-format, full-color volume stands alone in revealing more than 200 of the most spectacular images from the Hubble Space Telescope during its lifetime, to the very eve of the 2008 final shuttle mission to the telescope. Written by two of the world’s foremost authorities on space history, Hubble: Imaging Space and Time illuminates the solar system’s workings, the expansion of the universe, the birth and death of stars, the formation of planetary nebulae, the dynamics of galaxies, and the mysterious force known as "dark energy."
The potential impact of this book cannot be overstressed: The 2008 servicing mission to install new high-powered scientific instruments is especially high profile because the cancellation of the previous mission, in 2004, caused widespread controversy. The authors reveal the inside story of Hubble’s beginnings, its controversial early days, the drama of its first servicing missions, and the creation of the dynamic images that reach into the deepest regions of visible space, close to the time when the universe began.
A wealth of astonishing images leads us to the very edge of known space, setting the stage for the new James Webb Space Telescope, scheduled to launch in 2013. Find the stunning panoramic of Carina Nebula, detailing star birth as never before; a jet from a black hole in one galaxy striking a neighboring galaxy; a jewel-like collection of galaxies from the early years of the universe; and a giant galaxy cannibalizing a smaller galaxy.
Timed for the 2008 shuttle launch and coinciding with the 400th anniversary of Galileo’s first telescope, Hubble: Imaging Space and Time accompanies a high-profile exhibit at the National Air and Space Museum and will be featured on the popular NASM website.
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Price: $25.95
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Sale: $15.90
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Manufacturer: Viking Adult
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Number of Items: 1
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Binding: Hardcover
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Author: Ph.D., Philip Plait
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Publisher: Viking Adult
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Dewey Decimal Number: 520
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Publication Date: 2008-10-16
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Reading Level: 336
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Description: A lively astronomy primer that uses cataclysmic scenarios to explain the universe’s most fascinating events.
According to astronomer Philip Plait, the universe is an apocalypse waiting to happen But how much do we really need to fear from things like black holes, gamma-ray bursts, and supernovae? And if we should be scared, is there anything we can do to save ourselves? With humor and wit, Plait details the myriad doomsday events that the cosmos could send our way to destroy our planet and life as we know it. This authoritative yet accessible study is the ultimate astronomy lesson.
Combining fascinating—and often alarming—scenarios that seem plucked from science fiction with the latest research and opinions, Plait illustrates why outer space is not as remote as most people think. Each chapter explores a different phenomenon, explaining it in easy-to-understand terms, and considering how life on earth and the planet itself would be affected should the event come to pass. Rather than sensationalizing the information, Plait analyzes the probability of these catastrophes occurring in our lifetimes and what we can do to stop them. With its entertaining tone and enlightening explanation of unfathomable concepts, Death from the Skies! will appeal to science buffs and beginners alike.
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Displaying records 1 through 10 of 4000
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