Archaeology in The Books Store

Why is it that our current twenty-first century A.D. is so similar to the twenty-first century B.C.?
Is history destined to repeat itself? Will biblical prophecies come true, and if so, when?

It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnaki—the extraterrestrials who fashioned man and gave mankind civilization and religion. In this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.

In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Future—that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.

In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.

Roughly half the world's population speaks languages derived from a shared linguistic source known as Proto-Indo-European. But who were the early speakers of this ancient mother tongue, and how did they manage to spread it around the globe? Until now their identity has remained a tantalizing mystery to linguists, archaeologists, and even Nazis seeking the roots of the Aryan race. The Horse, the Wheel, and Language lifts the veil that has long shrouded these original Indo-European speakers, and reveals how their domestication of horses and use of the wheel spread language and transformed civilization.

Linking prehistoric archaeological remains with the development of language, David Anthony identifies the prehistoric peoples of central Eurasia's steppe grasslands as the original speakers of Proto-Indo-European, and shows how their innovative use of the ox wagon, horseback riding, and the warrior's chariot turned the Eurasian steppes into a thriving transcontinental corridor of communication, commerce, and cultural exchange. He explains how they spread their traditions and gave rise to important advances in copper mining, warfare, and patron-client political institutions, thereby ushering in an era of vibrant social change. Anthony also describes his fascinating discovery of how the wear from bits on ancient horse teeth reveals the origins of horseback riding.

The Horse, the Wheel, and Language solves a puzzle that has vexed scholars for two centuries--the source of the Indo-European languages and English--and recovers a magnificent and influential civilization from the past.

But the Incas did not submit willingly. A young Inca emperor, the brother of Atahualpa, soon led a massive rebellion against the Spaniards, inflicting heavy casualties and nearly wiping out the conquerors. Eventually, however, Pizarro and his men forced the emperor to abandon the Andes and flee to the Amazon. There, he established a hidden capital, called Vilcabamba. Although the Incas fought a deadly, thirty-six-year-long guerrilla war, the Spanish ultimately captured the last Inca emperor and vanquished the native resistance.

Kim MacQuarrie lived in Peru for five years and became fascinated by the Incas and the history of the Spanish conquest. Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. MacQuarrie also relates the story of the modern search for Vilcabamba, of how Machu Picchu was discovered, and of how a trio of colorful American explorers only recently discovered the lost Inca capital of Vilcabamba, hidden for centuries in the Amazon.

The Maya has long been established as the best, most readable introduction to the New World's greatest ancient civilization. In these pages Professor Coe distills a lifetime's scholarship for the general reader and student.

Since the publication of the sixth edition of The Maya, new sites have been uncovered and further excavations in old sites have proceeded at an unprecedented pace. Among the many new discoveries is the chance find of extraordinary murals dating to ca. AD 100 at San Bartolo in the Petén. New epigraphic, archaeological, and osteological research has thrown light on the identity of the "founding fathers" of such great sites as Tikal and Copan, and their close affiliation with Teotihuacan in central Mexico. The previously little known center of Ek' Balam in northeastern Yucatan has turned out to be a regional kingdom of major importance, with extraordinary stucco reliefs and a plethora of painted inscriptions.

It has now become apparent that the birth of Maya civilization lies not in the Classic but during the Preclassic period, above all in the Mirador Basin of northern Guatemala, where the builders of gigantic ancient cities (interconnected by causeways) erected the world's largest pyramid as early as 200 BC. All of these finds suggest that we must rethink what we mean by "Classic."

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games.

This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed—their themes, their relevance to Greek religion and society, and their relationship to the landscape.

• "Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.
• "Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.
• "The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.
• "Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.
• "Family sagas" explores the dramas and catastrophes that befall heroes and heroines.
• "A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.
• "Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.