Description: At the beginning of the 20th century, artists' books abandoned extravagant and costly editions in favour of aesthetic and technological experimentation produced through inexpensive photomechanical means. Designed for distribution to a wide audience and printed in large editions, these volumes were often bold, colourful and accessible. The Logan Collection, the best of which is presented here, surveys late nineteenth and twentieth-century developments in the genre of artists' books. Notable for its masterpieces and the superb quality of its more than four hundred artists' books, it provides the most comprehensive historical overview of the genre available today. Some of the most prestigious publishers of the 20th century - among them Ambroise Vollard, Albert Skira, Gerald Cramer and Iliazd - have engaged the imagination of the finest artists - among them. Picasso, Malevich, Kandinsky, Kokoschka and Matisse - to collaborate on the creation of the vibrant publications celebrated in this volume.
Description: This book is a reassessment of the role of Ingres studies in the writing of nineteenth-century art history. The title Fingering Ingres refers to a remark of Jean Cassou, the French art critic, political militant and founding director of the Musee National d'Art Moderne, in which he wrote of Ingres' 'caressing' his materials with the tip of his 'finger-nail'. The volume pays tribute to Ingres' historiographical enigma in bringing together a set of essays that scratch at and perhaps puncture the surface of his received framings. Ranging from the scrupulous study of Ingres' incapacity to allow himself a finished oeuvre, to the artificial construction of his conflict with Delacroix, to a radical re-thinking of his role in cultural modernity, the essays pick out the textures of a crucial mytheme of nineteenth-century French art. Combining scholarship from different generations of the contemporary critical, social and semiotic histories of art,Fingering Ingres offers a freshly virtuoso and deconstructive approach to the art-historical genre of the artist's monograph.
