Author: Stephen F. Eisenman::Brian Lukacher::Linda Nochlin::David Llewellyn Phillips::Frances K. Pohl
Publisher: Thames & Hudson
Edition: 2nd
Dewey Decimal Number: 709.034
Publication Date: 2002-02
Reading Level: 428
Description: The indispensable one-volume reference work on 19th-century art in Europe and America has been substantially updated and enlarged. This second edition contains: a revised, expanded and illustrated Introduction; 3 new chapters - Landscape Art and Romantic Nationalism in Germany and America; Photography, Modernity and Art; and The Appeal of Modern Art: Toulouse-Lautrec; fully updated selected bibliography; a revised list of Illustrations and Index; 47 new monochrome illustrations; 13 new colour illustrations.
Details: great book. this actually enables you to understand what the 19th Century art and influences were about. Through its critical review, the writing and approach to it is fantastic. The best art history book I have read!
Review Summary: Decent book for the price
Date: 2007-09-18
Details: I recently purchased this book A) Because it was alot cheaper than my college bookstore's price, and B) Because it was mandatory for the class I'm taking. The book covers alot of the information for the 1800s in the art world. I like to actually see the work of art when it's being discussed, so the lack of images is a little annoying.
Review Summary: Impressed
Date: 2007-09-08
Details: As this is a textbook for a course I'm taking, I was pleasantly surprised to find a copy well !!! below the current bookstore price and delighted when the book arrived extraordinarily promptly.
Review Summary: Skip it.
Date: 2005-12-28
Details: I too had this book for a college 19th century art course. Most of the movements were not new to me and I dearly love most art of the period. But for anyone new to it this will be an incredibly boring read, too much bogged down in marxism and political correctness. Eisenman; a self-professed "Marxist-Art Historian" seems unable to speak of any movement without making it into classs warfare or accusing artists of being sexist or rascist, while completely ingnoring the historical context. As with many art history surveys Eisenman also suffers the delusion that there is something inherently wrong with academic art and that the only worthwhile art of the 19th century was made in France.
Review Summary: Academic overview of nineteenth century art
Date: 2004-12-08
Details: This is a text based overview of art in the 1800's. It has a text to picture ratio similar to that in Art by Hartt. It has a similar (but obviously more specific) audience. Reproductions are high quality. Most are black and white - maybe 20 percent color. Here the color plates are mixed throughout the book, instead of all together in one color section. So all the thematically similar pictures are grouped together with the information about them. Read through the chapter titles and if you like several of the artists in question then this may be a good book to have reproductions of their work.
Outline of Nineteenth Century Art:
Classicism and Romanticism
Patriotism and Virtue: David to the Young Ingres
Classicism in Crisis: Gross to Delacroix
The Tensions of Enlightenment: Goya
Visionary History Painting: Blake and His Contemporaries
Nature Historicized: Constable, Turner, and Romantic Landscape Painting
New World Frontiers
Old World, New World: The Encounter of Cultures on the American Frontier
Black and White in America
Realism and Naturalism
The Generation of 1830 and the Crisis in the Public Sphere
The Rhetoric of Realism: Courbet and the Origin of the Avant-Garde
The Decline of History Painting: Germany, Italy, and France
Modern Art and Life
Manet and the Impressionists
Issues of Gender in Cassatt and Eakins
Mass Culture and Utopia: Seurat and Neoimpressionism
Abstraction and Populism: Van Gough
Symbolism and the Dialectics of Retreat
The Failure and Success of Cezanne
chronology, bibliography, list of illustrations and index
This is a good book for university libraries. Because realistic art styles have traditionally been overlooked in favor of more abstract styles, there is a gap in history books that cover art. This is a good detailed overview of overlooked art. The sections on American art particularly valuable in filling a potential gap. American art in this time period had a documentary function. (European art had more of an idealized function as from Ruskin or acted more in the traditional way as a status symbol. Also European movements such as Pre-Raphealitism have recently become popular and widely available, so this is not such a big gap.) Having coverage of American art from this time period is especially desirable.
I don't think that this is such a good book for individuals to buy, unless you already know what it is. It is written and intended for academic study (so the writing is dense). Look through the book at a book shop or library first.
out of 10 Reviews
