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Author Barbara Kingsolver and her family abandoned the industrial-food pipeline to live a rural life—vowing that, for one year, they’d only buy food raised in their own neighborhood, grow it themselves, or learn to live without it. Part memoir, part journalistic investigation, Animal, Vegetable, Miracle is an enthralling narrative that will open your eyes in a hundred new ways to an old truth: You are what you eat.

Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce."

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you?

--Chuck Verrill

"Memory" Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That's what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten. Maybe, but that doesn’t matter, either. That's what Kamen says. My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy success in that life, worked my way up like a motherf---er, and for me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her. I had an accident at a job site. That's what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm. I was supposed to lose my life, but I didn’t. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn't happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She's remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he’s a yank-off. My wife says she’ll come around. Maybe sí, maybe no. That's what Kamen says. When I say I was confused, I mean that at first I didn’t know who people were, or what had happened, or why I was in such awful pain. I can't remember the quality and pitch of that pain now. I know it was excruciating, but it's all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn’t academic at the time. At the time it was more like climbing a mountain. Continue Reading "Memory"

Duma Key How to Draw a Picture Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can't remember. How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I’ve come to believe. Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through. Still, imagine that small hand lifting the pencil... hesitating... and then marking the white. Imagine the courage of that first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know. My Other Life My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let's get through the Minnesota part. Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn’t work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own. For me, everything worked out. When Minneapolis–St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her. Continue Reading Duma Key

More from Stephen King

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Lisey's Story

The Mist

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The Dark Tower: The Gunslinger Born

This is a vitally important book--one which should be read whether you support Barack Obama or not.

It's a concisely reasoned and elegantly written essay on how a truly courageous president could lead us forward. A slender volume, it very usefully sweeps us past the often-overwrought speculation about whether this will or won't be a "transformative" election--akin to Lincoln's, Roosevelt's, JFK's, and even Ronald Reagan's--and on to the real questions of what such an election might accomplish, how, and why.

Obama's Challenge assumes Obama will be elected, but its author is hardly a captive partisan. As a highly regarded journalist and deft policy analyst, Robert Kuttner has been covering presidential elections--as well the politics of governance in the four years between them--for more than three decades. Experience has convinced him that the size and complexity of the problems America and the world are facing today requires an extraordinarily gifted leader--and he is willing here to affirm that Barack Obama might well be that person.

The book's unique contribution, however, is to shows us that the sheer magnitude of those problems will require a President Obama to use his gifts for specific ends--and what those ends should be. We must repair, Kuttner persuades us, the enormous damage that's been done over the past 40 years by heedless business deregulation, careless globalization, massive deficits, environmental neglect, arrogantly unilateral use of military power, increasingly regressive tax system, and most important, by a relentless denigration of the clear value of government itself by those in the highest public offices--even though democratic government has always been and is now, the precondition, not the enemy, of America's past achievement and future hope. In doing so, he cogently explains how derelict conservative ideology, combined with a deformed bipartisanship, led to this situation, how presidents of great potential have in the past became transformative leaders--and how President Obama could take up the promise he offers now, and shape it into the world we need.

Kuttner is refreshingly realistic nonetheless about the roadblocks and pitfalls ahead. Hardly utopian himself, he urges Obama--and his supporters--to grasp the full requirements for transformative change in terms of leadership and values.

In the past, Kuttner has shown himself to be highly adept at parsing complex policy alternatives, but he somberly cautions the new president away from such a path by quoting Lincoln's dictum, "With public sentiment, nothing can fail; without it, nothing can succeed." What he elegantly demonstrates instead is that Obama must mobilize the country by helping us take the imaginative steps forward that will allow us together to remake--and redeem--the nation. And if Obama takes time to read this essay before November, it will significantly enhance his prospects of first reaching the White House.

No one can possibly know what lies in store for an Obama presidency--or whether he will in fact reach the White House. This is the only book, however, to cogently explain why and how we must tackle now the great problems that have been so so carelessly created, and by reflecting on earlier transformative presidencies, offers us the map by which President Obama (and we) might chart a truly tranformative presidency.

We wanted to spread the word on the book as widely, and as soon, as we could. See below for an exclusive excerpt from A Thousand Splendid Suns and early reviews of the book from some of our top customer reviewers.--The Editors

Joanna Daneman: "His style is deceptively simple and clear, the characters drawn deftly and swiftly, his themes elemental and huge. This is a brilliant writer and I look forward to more of his work." Read Joanna Daneman's review

Seth J. Frantzman: "Khaled Hosseini has done it again with 'A Thousand Splendid Sons', presenting a new, dashing and dark tale of two generations of women trapped in a loveless marriage, bracketed by great events." Read Seth J. Frantzman's review

Donald Mitchell: "Khaled Hosseini has succeeded in capturing many important historical and contemporary themes in a way that will make your heart ache again and again. Why will your reaction be so strong? It’s because you’ll identify closely with the suffering of almost all the characters, a reaction that’s very rare to a modern novel." Read Donald Mitchell's review

Lawrance M. Bernabo: "All things considered, following up on a successful first novel is probably harder than coming up with the original effort and Hosseini could have rested on his laurels in the manner of Harper Lee, but as "A Thousand Splendid Suns" amply proves, this native of Kabul has more stories to tell about the land of Afghanistan." Read Lawrance M. Bernabo's review

Amanda Richards: "There are parts of this book that will have grown men surreptitiously blotting the tears that are on the verge of overflowing their ducts, and by the time you get to the middle, you won’t be able to put it down. Hosseini's simple but richly descriptive prose makes for an engrossing read, and in my opinion, "A Thousand Splendid Suns" is among the best I have ever read. This is definitely not one to be missed." Read Amanda Richards's review

N. Durham: "All that being said, "A Thousand Splendid Suns" is a bit more enjoyable than Hosseini’s previous "The Kite Runner", and once again he manages to give we readers another glimpse of a world that we know little about but frequently condemn and discard. However, if you were one of the many that for some reason absolutely loved "The Kite Runner", chances are that you'll love this as well." Read N. Durham's review

John Kwok: "Khaled Hosseini's "A Thousand Splendid Suns" is a genuine instant literary classic, and one destined to be remembered as one of 2007's best novels. It should be compared favorably to such legendary Russian novels like "War and Peace" and "Doctor Zhivago"." Read John Kwok's review

Thomas Duff: "Normally I'm more of an action-adventure type reader when it comes to novels and recreational reading. But I was given the chance to read A Thousand Splendid Suns by Khaled Hosseini (author of The Kite Runner), so I decided to try something out of my normal genre. I am *so* glad I did. This is a stunning and moving novel of life and love in Afghanistan over a 30 year period." Read Thomas Duff's review

Charles Ashbacher: "This book manages to simultaneously capture the history of Afghanistan over the last thirty years and how women are treated in conservative Islamic societies.... In many ways it is a sad book, your heart goes out to these two women in their hopeless struggle to have a decent life with a brutal man in an unforgiving, intolerant society." Read Charles Ashbacher's review

W. Boudville: "Hosseini presents a piognant view into the recent tortured decades of the Afghan experience. From the 1970s, under a king, to the Soviet takeover, to the years of resistance. And then the rise and fall of the Taliban. An American reader will recognise many of the main political events. But to many Americans, Afghanistan and its peoples and religion remain an opaque and troubling mystery." Read W. Boudville's review

Mark Baker: "I tend to read plot heavy books, so this character study was a definite change of pace for me. I found the first half slow going at times, mainly because I knew where the story was going. Once I got into the second half, things really picked up. The ending was very bittersweet. I couldn't think of a better way to end it." Read Mark Baker's review

Grady Harp: "Hosseini takes us behind those walls for forty some years of Afghanistan's bloody history and while he does not spare us any of the descriptions of the terror that continues to besiege that country, he does offer us a story that speaks so tenderly about the fragile beauty of love and devotion and lasting impression people make on people." Read Grady Harp's review

Robert P. Beveridge: "When I was actively reading it, the pages kept turning, and more than once I found myself foregoing food or sleep temporarily to get in just one more chapter. When I had put it down, however, I felt no particular compulsion to pick it back up again. It's a good book, and a relatively well-written one, but it's not a great book. Enjoyable without leaving a lasting impression." Read Robert P. Beveridge's review

B. Marold: "While the events in Afghanistan and the wider world create a familiar framework for the stories of these two women, it is nothing more than a framework. The warp and weft of everyday life, and the interaction of the two women and their close relatives is the heartbeat of the story." Read B. Marold's review

Daniel Jolley: "Khaled Hosseini has written a majestic, sweeping, emotionally powerful story that provides the reader with a most telling window into Afghan society over the past thirty-odd years. It's also a moving story of friendship and sacrifice, giving Western readers a rare glimpse into the suffering and mistreatment of Afghan women that began long before the Taliban came to power." Read Daniel Jolley's review

The corporate world is filled with executives, men and women who have worked hard for years to reach the upper levels of management. They’re intelligent, skilled, and even charismatic. But only a handful of them will ever reach the pinnacle -- and as executive coach Marshall Goldsmith shows in this book, subtle nuances make all the difference. These are small "transactional flaws" performed by one person against another (as simple as not saying thank you enough), which lead to negative perceptions that can hold any executive back. Using Goldsmith’s straightforward, jargonfree advice, it’s amazingly easy behavior to change.